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MacQueen’s Quinterly: Knock-your-socks-off Art and Literature
| Updated: | 21 Apr. 2025 |
Index of Contributors
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| Name of Author | Title of Work + [genre] | Issue |
| Katharyn Howd Machan | Odd Numbers [poem] | 7 |
| Patience Mackarness | In Her Footsteps [cheribun] | 25 |
| Patience Mackarness | Seaglass [haibun] | 10 |
| Clare MacQueen | Linda Nemec Foster’s Bone Country [book review, micro] | 18 |
| Clare MacQueen | Nine Years [taiga: tanka + photograph] | 4 |
| Clare MacQueen | “No Succinct Summary Will Do Them Justice” [review of book, A Cast-Iron Aeroplane That Can Actually Fly: Commentaries From 80 American Poets on Their Prose Poetry] | 2 |
| Clare MacQueen | “One Hallelujah at a Time”: A Review of Lorette C. Luzajic’s The Rope Artist: small ekphrastic fictions [book review] | 19 |
| Clare MacQueen | Reframing Self-Care for Creators: Part I (“Tips for Stewarding Your Talents and Energies in Non-Toxic Ways”) [essay] | 16 |
| Clare MacQueen | Two Must-Read Books by The Queen of Ekphrasis [review/commentary] | 9 |
| Clare MacQueen | “We’ll sleep when we’re dead” [publisher’s note] | 26 |
| Kate MacQueen | Everyone has a Newton (ca. 1978) [poem] | 26 |
| Kate MacQueen | In substance [tanka prose] | 26 |
| Kate MacQueen | Solving for the retired brain problem [micro-poem] | 26 |
| Marjorie Maddox & Karen Elias | Dispersion [poem] and Three Wishes [photograph] | 24 |
| Marjorie Maddox & Karen Elias | The Sound of Silence: Curlew Rendition [poem] and Last Light [photograph] | 24 |
| Marjorie Maddox & Karen Elias | Years Later at the Junk Yard [poem] and Sunday! Sunday! Sunday! [photograph] | 24 |
| Tamara Madison | A Fine Specimen [poem] | 22 |
| Tamara Madison | Hard Labor [poem] | 22 |
| Tamara Madison | Insomnia [poem] | 18 |
| Tamara Madison | Introduction [poem] | 22 |
| Tamara Madison | Overcast [poem] | 28 |
| Tamara Madison | Painted Lady [poem] | 28 |
| Tamara Madison | Rufus [poem] | 28 |
| Tamara Madison | The Singer [poem] | 18 |
| Tamara Madison | Song of the Ancestors [poem] | 18 |
| Tamara Madison | Tinnitus [poem] | 22 |
| Tamara Madison | Tulips [poem] | 18 |
| René Magritte | La Grand Guerre Façades (1964) [painting] | 14 |
| Shaymaa Mahmoud & John Brantingham | A Quartet of Collaborative Poems: “Air Travel”; “Meta/physics”; “Totality”; and “Circumnavigation” [poems] | 28 |
| Marie-Elizabeth Mali | Hum [poem] | 12 |
| Édouard Manet | A Bar at the Folies-Bergère [painting] | 17 |
| Édouard Manet | A Bar at the Folies-Bergère [painting] | 25 |
| Édouard Manet | Olympia [painting] | 2 |
| Édouard Manet | Olympia [painting] | 17 |
| Robert I. Mann | Cameoed Against the Twilight [flash fiction] | 20 |
| Robert I. Mann | Two Girls With Jobs [prose poem, ekphrastic] | 14 |
| Robert I. Mann | What is between everything [flash fiction] | 7 |
| D.S. Maolalai | A view from my balcony [micro-poem] | 21 |
| D.S. Maolalai | The house shone like a fish [poem] | 21 |
| D.S. Maolalai | The mechanical creature [poem] | 21 |
| Franz Marc | Die grossen blauen Pferde (The Large Blue Horses) [painting] | 10 |
| Jill Doster Marcusse | Cheese Sampler [prose poem] | 9 |
| Jill Doster Marcusse | No Madonna [micro-CNF] | 8 |
| Amy Marques | Date Night [microfiction, ekphrastic] | 16 |
| Amy Marques | Goji Berries [microfiction] | 18 |
| Amy Marques | I would rather rake leaves than masturbate [prose poem, ekphrastic] | 16 |
| Amy Marques | Sunset with Crows [microfiction] | 21 |
| Amy Marques | We Are Made of Scraps [prose poem] | 21 |
| Betsy Mars | Admitted [poem] | 18 |
| Betsy Mars | Bricklayers [poem] | 14 |
| Betsy Mars | Cornered [poem] | 10 |
| Betsy Mars | Dead Animals [poem] | 23 |
| Betsy Mars | Losing It [poem] | 19 |
| Betsy Mars | Objects in Mirrors [poem] | 18 |
| Betsy Mars | Portal [poem, ekphrastic] | 19 |
| Sarah Massey-Warren | Should I Stay or Should I Go? [essay] | 6 |
| Jan Matejko | Stanczyk (1862) [painting] | 14 |
| Richard L. Matta | Between the Lines [micro-CNF] | 23 |
| Richard L. Matta | The Good Host [micro-poem: split sequence] | 20 |
| Richard L. Matta | Heating Up [micropoem: split sequence] | 16 |
| Richard L. Matta | More Answers [poem] | 23 |
| Richard L. Matta | Rebirth [poem] | 23 |
| Richard L. Matta | Transactions [micro-CNF] | 23 |
| Richard L. Matta | Uncle Eddie’s Falcon [haibun] | 16 |
| Erik Mattijssen | Household Supplies [gouache painting] | 26 |
| dl mattila | Angling [haibun] | 8 |
| dl mattila | Country Ku [micro-poem sequence] | 16 |
| dl mattila | Loose Lips [haibun, ekphrastic] | 16 |
| Daniel Mauermann | Piercing man [photograph] | 16 |
| R W Mayer | After W.C.W. [poem] | 12 |
| Liz Mayers | Suzie, Sammie, and Me [microfiction] | 21 |
| Joan Mazza | False Positive [poem] | 10 |
| Mary McCarthy | Respite [poem] | 28 |
| Mary McCarthy | You Promised [poem] | 28 |
| Cáit O’Neill McCullagh and Brian Kates | Untitled Shahai (first line: “raindrop”) [photo-poem] | 20 |
| George McDermott | Flyover [poem] | 10 |
| Daniel McGinn | Supermarket Dreamland [poem] | 18 |
| Kathleen McGookey | 581 Prestwick [prose poem] | 2 |
| Kathleen McGookey | A Month Before They Died [prose poem] | 25 |
| Kathleen McGookey | Cloud Report (“4/19/22” and “5/24/22”) [prose poems] | 14 |
| Kathleen McGookey | Cloud Report (“2/1/23” and “3/4/23”) [prose poems] | 18 |
| Kathleen McGookey | Empty Nest [prose poem] | 18 |
| Kathleen McGookey | Groupon, March 25, 2020: One Acre of Land on Mars: $35 $19 [prose poem] | 6 |
| Kathleen McGookey | Inside Out [prose poem] | 12 |
| Kathleen McGookey | Little Gold Door [prose poem] | 14 |
| Kathleen McGookey | Magnificent Error [prose poem] | 2 |
| Kathleen McGookey | Minutes of No Particular Significance [prose poem] | 25 |
| Kathleen McGookey | The Monkey in the Palace [prose poem] | 19 |
| Kathleen McGookey | Near and Far [prose poem] | 25 |
| Kathleen McGookey | The Quiet in the House [prose poem] | 6 |
| Kathleen McGookey | Red Box [prose poem] | 19 |
| Kathleen McGookey | The Sleep Thief [prose poem] | 19 |
| Kathleen McGookey | Where the Heart Is [prose poem] | 12 |
| Kathleen McGookey | Without You [microfiction] | 25 |
| Marietta McGregor | Auld lang syne [haibun] | 6 |
| Marietta McGregor | FaceTime: Session 3 [haibun] | 3 |
| Marietta McGregor | Game Over [haibun] | 12 |
| Marietta McGregor | Hand-me-down [haibun] | 22 |
| Marietta McGregor | Magus [cheribun] | 12 |
| Marietta McGregor | Star bright [tanka prose] | 14 |
| Marietta McGregor | Terror Australis [haibun] | 11 |
| Mary Ann McGuigan | Bystanders [CNF] | 26 |
| Victoria Melekian | Let the Horses Go [poem] | 25 |
| Victoria Melekian | Morning Sun [poem] | 25 |
| Victoria Melekian | We Are Losing Our Night Sky [poem] | 25 |
| Amalia Melis | January Widow [memoir] | 1 |
| Paul David Mena | [Fresh Graffiti] [micro-poem + photograph] | 4 |
| Ralph Mercer | Dialectics: Untitled 7 [photograph] | 10 |
| Todd Mercer | December D.I.Y. [microfiction] | 12 |
| Todd Mercer | The Flip Stops Here [microfiction] | 17 |
| Todd Mercer | It’s Terribly Easy to Use Up This Precious Life [prose poem, hybrid] | 11 |
| Todd Mercer | Jane’s Real Haunted House [microfiction] | 12 |
| Todd Mercer | The Key Event [microfiction] | 12 |
| Todd Mercer | Marco Polo [microfiction] | 12 |
| Todd Mercer | The Tenth Visit Is Free [microfiction] | 17 |
| Mark Meyer | (±)-2-Methyl-1,2,3,4,10,14b-hexahydropyrazino[2,1-a]pyrido[2,3-c][2]benzazepine [haibun] | 18 |
| Mark Meyer | [conflagration] [haiga] | 10 |
| Mark Meyer | [ever older] [haiga] | 5 |
| Mark Meyer | five-and-dime theology [haibun] | 4 |
| Mark Meyer | [floaters] [haiga] | 10 |
| Mark Meyer | [the older I become] [chaiga] | 27 |
| Mark Meyer | One haiku + one senryu [micro-poems: COVID-ku] | 3 |
| Mark Meyer | Prologue to an Epilogue [haibun] | 22 |
| Mark Meyer | Seattle noir [haibun] | 10 |
| Mark Meyer | [selbstporträt—] [haiga] | 2 |
| Mark Meyer | [summer swim] [haiga] | 5 |
| Mark Meyer | Texas Requiem [haibun] | 20 |
| Mark Meyer | Three Artworks [shahai and haiga] | 27 |
| Mark Meyer | Two Artworks: Bon Vivant and Pleiomorphic [digital pigment prints] | 2 |
| Mark Meyer | [wildfire morning] [haiga] | 19 |
| Mark Meyer | [worlds within worlds] [haiga] | 3 |
| Michelangelo | Four Prisoners at the Galleria dell’Accademia in Florence (Atlas Slave; Awakening Slave; Bearded Slave; and Young Slave) [sculpture] | 1 |
| Vicki Miko | [Untitled] (“directions”)[shahai, aka photo-poem] | 22 |
| Vicki Miko | [Untitled] (“three o’clock high”)[shahai, aka photo-poem] | 22 |
| Vicki Miko and Michael H. Lester | A Painful Reminder [tanka tale, responsive] | 21 |
| Vicki Miko and Michael H. Lester | A Place Among the Dingos, Jack Rabbits, Diamondbacks, and Vagabonds [tanka tale] | 20 |
| Vicki Miko and Michael H. Lester | Not All Good Things Come in Threes [tanka tale] | 20 |
| Vicki Miko and Michael H. Lester | Settling In for the Night [tanka tale, responsive] | 21 |
| Vicki Miko and Michael H. Lester | What Happens in the Desert [tanka tale] | 20 |
| John Everett Millais | Ophelia [painting] | 7 |
| Dawn Miller | Border [microfiction] | 24 |
| Terry Jude Miller | proof [poem] | 16 |
| Terry Jude Miller | run [poem] | 17 |
| Terry Jude Miller | until today [poem] | 16 |
| Joseph Mills | Art Education [microfiction] | 2 |
| Joseph Mills | Testimonial [prose poem] | 2 |
| Elaine Mintzer | It Could Be Raining [prose poem] | 10 |
| Elaine Mintzer | Ode to My Tweezers [poem] | 12 |
| Laura Mitchell | Frozen Lake in Massachusetts [photograph] | 18 |
| Mike Moats & Gary S. Rosin |
[pack ice melts] [haiga: photograph + poem] | 11 |
| Amedeo Modigliani | Reclining Nude, Head Resting on Right Arm (aka Nude on a Sofa) [painting] | 1 |
| Amedeo Modigliani | The Women with Red Hair (1917) [painting] | 18 |
| Penelope Moffet | Bestseller [poem] | 16 |
| Penelope Moffet | Bird-Bits [poem] | 8 |
| Penelope Moffet | Roosevelt Elk [poem] | 16 |
| Penelope Moffet | Shelter [poem, ekphrastic] | 8 |
| Penelope Moffet | Thumbprint [poem] | 14 |
| Jane Edna Mohler | November Reckons [poem] | 25 |
| Jane Edna Mohler | Open House [poem] | 25 |
| Jane Edna Mohler | Quiet! [poem] | 24 |
| Jane Edna Mohler | Unstoppable [poem] | 24 |
| Bill Mohr | EROTIC: New & Selected by Alexis Rhone Fancher [book review] | 9 |
| Bill Mohr | The Timing Chains [poem] | 10 |
| Kati Mohr | The Empress [haibun] | 21 |
| Kati Mohr | Unravel [haibun] | 21 |
| Lisa Molina | Cages [prose poem, ekphrastic] | 17 |
| Piet Mondrian | The Gray Tree [painting] | 26 |
| Claude Monet | A Woman Reading 1872 (aka Springtime) [painting] | 16 |
| Claude Monet | En promenade près d’Argenteuil [painting] | 9 |
| Claude Monet | Water Lilies [painting] | 17 |
| Diane Lee Moomey | Coloratura [poem] | 17 |
| Diane Lee Moomey | Flashback [poem] | 9 |
| Diane Lee Moomey | Platform Heels [poem: nonce, rhyming] | 9 |
| Diane Lee Moomey | Wildlife Refuge [poem] | 17 |
| Lisa Marguerite Mora | Heart Map [poem] | 10 |
| Marilyn Morgan | Hoboken [microfiction] | 11 |
| Berthe Morisot | The Cradle [painting] | 2 |
| Berthe Morisot | Woman and Child on a Balcony [painting] | 5 |
| Michele Morris | The Alchemist [prose poem, ekphrastic] | 12 |
| Michele Morris | Here’s to Life [prose poem, ekphrastic] | 11 |
| Michele Morris | Serenity Now [prose poem, ekphrastic] | 10 |
| Michele Morris | Still Standing [prose poem] | 12 |
| Wilda Morris | The Bread Line [poem, ekphrastic] | 19 |
| Wilda Morris | The Fortune Teller Speaks [poem, ekphrastic] | 19 |
| Charlene Stegman Moskal | Curbside [prose poem] | 5 |
| Alphonse Mucha | The Seasons series, 1900: Winter, Spring, Summer, and Autumn [lithographs] | 14 |
| Rick Mulkey | After Andrew Wyeth’s Crow Tree [poem, ekphrastic] | 28 |
| Rick Mulkey | Concerning Whiskey [poem] | 1 |
| Rick Mulkey | Kansas [poem] | 28 |
| Rick Mulkey | Late Summer Meditation on Van Gogh’s Wheatfield with a Reaper [poem, ekphrastic] | 15 |
| Rick Mulkey | My Mother Woke Early to Can Apples and Jam [poem] | 28 |
| Rick Mulkey | The Seamstress [poem] | 27 |
| Rick Mulkey | Singing [poem] | 15 |
| Rick Mulkey | Susan’s Creek [poem] | 15 |
| Rick Mulkey | Waking Alone After Drinking Too Much Wine in Umbria [poem] | 1 |
| Rick Mulkey | Where are you, Walt Whitman? [poem] | 1 |
| Rick Mulkey | Winter Solstice [poem] | 27 |
| Edvard Munch | The Girl By the Window, 1893 [painting] | 20 |
| Lynn Mundell | Friends [flash fiction: one-sentence story] | 20 |
| Lynn Mundell | The Shelter [microfiction] | 9 |
| Aurore Uwase Munyabera | Conflict Resolution [painting, alcohol ink] | 5 |
| Scott Murkin | Three Art Quilts: Crosswise II; Interstices VIII; and La Villa [textile arts] | 9 |
| Erin Murphy | Three Demi-Sonnets: Poetry 101: “Caesura”; “Haiku”; and “Slant Rhyme” [poems] | 8 |
| Erin Murphy | Three Demi-Sonnets: Taxonomies: “Churning”; “Full Disclosures”; and “Needles” [poems] | 8 |
| Mish (Eileen) Murphy | D. H. Lawrence and Me [micro-fiction] | 23 |
| Mish (Eileen) Murphy | Everything You Need to Know About Florida [haibun] | 20 |
| Mish (Eileen) Murphy | Recreational Shopping [poem] | 23 |
| Gabrielle Myers | Messejana Message #18 [poem] | 22 |
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| Name of Author | Title of Work + [genre] | Issue | Nora Nadjarian | My Perfect Cousin [microfiction] | 15 |
| Gautam Nadkarni | Hot Couture [haibun story] | 5 |
| Nicole Nagy | Linguistic Infidelity [flash fiction] | 5 |
| Lee Nash | Polysemic crush [haibun story] | 4 |
| Paul Negri | Mysterium Magnum [flash fiction] | 3 |
| Eric Nelson | Disappearing [poem] | 10 |
| Eric Nelson | Play Ball or Sing [poem] | 10 |
| Eric Nelson | Umbrella [poem] | 10 |
| Patricia Nelson | Arthur [poem] | 10 |
| Patricia Nelson | Cyclops [poem] | 10 |
| Patricia Nelson | Morgan Remembers [poem] | 10 |
| Patricia Nelson | Why the Seer Speaks of War and Monsters [poem] | 17 |
| Stephen Nelson | Four Asemic Artworks: The only words left after midnight; Postcards from a Scottish Bench; Rimbaud in Africa; and Thinking about Baudelaire [visual art] | 16 |
| Stephen Nelson | [VisPo Trio] [visual art, asemic] | 22 |
| Richard Nester | Entitled [poem, ekphrastic] | 6 |
| Richard Nester | Making Peach Cobbler [poem] | 9 |
| Robbi Nester | A railing somewhere in the Czech Republic [poem, ekphrastic] | 25 |
| Robbi Nester | After Blossom [poem, ekphrastic] | 3 |
| Robbi Nester | After Kazakh Winter by Aaron Rands [poem, ekphrastic] | 6 |
| Robbi Nester | After The Large Blue Horses, Franz Marc (1911) [poem, ekphrastic] | 10 |
| Robbi Nester | Beekeeper [poem, ekphrastic] | 16 |
| Robbi Nester | Book [poem, ekphrastic] | 2 |
| Robbi Nester | Bridal Salon [poem, ekphrastic] | 26 |
| Robbi Nester | California [poem] | 17 |
| Robbi Nester | Centralia Is Burning [poem] | 19 |
| Robbi Nester | Cloudfarming [poem, ekphrastic] | 12 |
| Robbi Nester | Composed [poem] | 16 |
| Robbi Nester | Dancing White Egret [poem, ekphrastic] | 14 |
| Robbi Nester | Dangerous Dreams [poem, ekphrastic] | 2 |
| Robbi Nester | Death Happens: Alex Atala [poem, ekphrastic] | 9 |
| Robbi Nester | Face [poem] | 12 |
| Robbi Nester | Fireworks Show [poem, ekphrastic] | 19 |
| Robbi Nester | Flamingo in Lake Natron, Northern Tanzania [poem, ekphrastic] | 24 |
| Robbi Nester | The Gray Tree (1911) [poem, ekphrastic] | 26 |
| Robbi Nester | Hot [poem] | 9 |
| Robbi Nester | Inquest [poem, ekphrastic] | 11 |
| Robbi Nester | Interspecies Face-Off [poem, ekphrastic] | 18 |
| Robbi Nester | Juxtaposition [poem, ekphrastic] | 3 |
| Robbi Nester | Listen [poem, ekphrastic] | 13 |
| Robbi Nester | The Missing Sense [poem, ekphrastic] | 13 |
| Robbi Nester | Naughty Bits [poem] | 11 |
| Robbi Nester | On Adaptation [poem, ekphrastic] | 5 |
| Robbi Nester | On Chaos [poem] | 6 |
| Robbi Nester | On Rembrandt’s Stone Operation [poem, ekphrastic] | 13 |
| Robbi Nester | Privilege [poem, ekphrastic] | 5 |
| Robbi Nester | Scent of Mortality [poem, ekphrastic] | 13 |
| Robbi Nester | Summer, Sheltering in Place [poem, ekphrastic] | 5 |
| Robbi Nester | Under the Metal [poem, ekphrastic] | 16 |
| Robbi Nester | Van Gogh“s Ear [poem, ekphrastic] | 13 |
| Robbi Nester | Watching Pins [poem, ekphrastic] | 21 |
| Robbi Nester | What He Collected [poem, ekphrastic] | 25 |
| Robbi Nester | Where Is Home? [poem] | 10 |
| Robbi Nester | The Witness [poem, ekphrastic] | 13 |
| Rachel Neve-Midbar | Younger Men [prose poem] | 14 |
| Megan Nevels | Self-Portrait as Ancestry.com [poem] | 8 |
| Lesléa Newman | Birds of a Feather [poem] | 23 |
| Lesléa Newman | The Deejay [prose poem] | 23 |
| Lesléa Newman | Sonnet for My Beloved [poem] | 23 |
| Peter Newton | Double Take [haibun] | 13 |
| Peter Newton | Megafauna [haibun] | 14 |
| Peter Newton | Modern Gothic [haibun story] | 14 |
| Peter Newton | Rosebud [braided haibun / haibun story] | 12 |
| Peter Newton | Suds Land USA [haibun, anomalous] | 12 |
| Peter Newton | The Wisdom So Far [haibun] | 23 |
| Kapka Nilan | Conversion [microfiction] | 23 |
| Subir Ningthouja | Bond [haibun] | 17 |
| Don Noel | Man with a Riata [microfiction] | 19 |
| Don Noel | Opportunities [flash fiction] | 19 |
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| Name of Author | Title of Work + [genre] | Issue |
| Bayveen O’Connell | A Cobbler’s Tale [microfiction] | 16 |
| Bayveen O’Connell | Stolen Child [micro-CNF] | 23 |
| Bayveen O’Connell | The “R” Word [microfiction] | 23 |
| Bayveen O’Connell | Washerwoman’s Wish [microfiction] | 16 |
| Darlene O’Dell | Frostbite [haibun] | 28 |
| Darlene O’Dell | Portrait of a Young Artist [haibun] | 28 |
| Darlene O’Dell | Three Untitled Shahai (first lines: “cotton candy”; “Eden’s memory”; and “storm clouds”)[haiku and photographs] | 28 |
| Darlene O’Dell & Arthur Rothstein | Untitled Collaborative Shahai (first line: “school days”)[haiku and photograph] | 28 |
| Katherine Durham Oldmixon & Gary S. Rosin | Hey! [shahai: poem + photograph] | 10 |
| Dan Olfe | Five Art Quilts: Terra Incognita; San Diego Library #1; The Broad Museum of Art; Wave Topography; and Hillcrest Cinemas [fiber art] | 28 |
| Per Harald Olsen | Sørgepil i pollentiden (Weeping willow in pollen season) [photograph] | 24 |
| John Olson | Black Desire [micro-essay, ekphrastic] | 7 |
| John Olson | Body and Soul [prose poem] | 7 |
| John Olson | Crocodile [essay, ekphrastic] | 2 |
| John Olson | Funny Shirts [prose poem] | 3 |
| John Olson | Hang on to Your Hat: A Diatribe for Four Voices (and the Sixth Mass Extinction) [prose poem] | 1 |
| John Olson | New Terms [prose poem] | 2 |
| John Olson | Running for Cover [prose poem] | 3 |
| John Olson | The Seeing Machine, Chapter XXXIII [novel excerpt, ekphrastic] | 3 |
| Naoki Onogawa | Untitled Sculptures [bonsai-like trees whose leaves are tiny paper cranes] | 10 |
| Jake Onyett | What If I Can’t Find You in Heaven? [poem] | 27 |
| Jenine Oosthuizen | Quick or Ink? [flash fiction] | 4 |
| Simone Opdam & Gary S. Rosin |
Frozen [haiga: photograph + poem] | 10X |
| Simone Opdam & Gary S. Rosin |
Lente (Spring) [sha-haibun: photograph + haiku + anomalous prose poem] | 12 |
| Dion O’Reilly | In Bellingham [poem] | 11 |
| Dion O’Reilly | Maybe Stories [poem] | 11 |
| Dion O’Reilly | Red Truck [poem] | 5 |
| Princess Marie Christine d’Orléans | Jeanne d’Arc [furnishing fabric] | 24 |
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