|
||
 |
|
MacQueen’s Quinterly: Knock-your-socks-off Art and Literature
| Updated: | 15 Sept. 2023 |
Index of Contributors
-E- |
[Back to Alpha Menu] |
|
| Name of Author | Title of Work + [genre] | Issue |
| Jane Edberg | Plea Dream [mixed-media painting] | 18 |
| Jane Edberg | Three Drawings [within Kendall Johnson’s interview of Edberg and John Brantingham] | 19 |
| Lynn Edge | Year of the Farrier [haibun story] | 20 |
| Eva Eliav | A Coffee Date [microfiction] | 18 |
| Eva Eliav | Bird [microfiction] | 14 |
| Eva Eliav | Carrying a Baby [microfiction] | 14 |
| Eva Eliav | Labyrinth [microfiction] | 14 |
| Eva Eliav | “[swaying]” [micro-poem] | 14 |
| Eva Eliav | Turtle [microfiction] | 14 |
| Andrea Eldridge | Shattered Ceilings [haibun, braided] | 16 |
| Andrea Eldridge | Slush [haibun, anomalous] | 17 |
| MaRco Elliott | In the Garden City of Earthly Delights [painting] | 4 |
| MaRco Elliott | Pochade à Neptune (Sketch of Neptune) [painting] |
5 |
| MaRco Elliott | Two Paintings: In memory of the fallen heroes of the Great Freeway Wars (against the planet); and Rideshare, carpool, it’s cool | 1 |
| MaRco Elliott | From Dark Days 2020 [paintings]: American Carnage; By the Rockets’ Red Glare; and Charge of the Demon Sperm | 5 |
| Becky Erdman | Three Art Quilts: The Guitar Man, Hope, and Why oh Why Can’t I? [textile arts] | 11 |
| Michael Estabrook | Minotaur [poem] | 3 |
| Eli S. Evans | Two Friends [prose poem] | 13 |
| Grace Evans & Gary S. Rosin | Star Trails [haiga: photograph + poem] | 2 |
| Claire Everett | A Song for Tara [tanka prose] | 4 |
| Claire Everett | A Thousand Thens [haibun] | 19 |
| Claire Everett | Boxed In [tanka tale] | 5 |
| Claire Everett | In Brief: 10 April 2021 [tanka prose] | 8 |
| Claire Everett | Milestones [haibun] | 7 |
| Claire Everett | Never Was It More So [tanka tale] | 3 |
| Claire Everett | Seeking You [tanka prose] | 9 |
| Claire Everett | #SkylarkLivesMatter [tanka prose] | 4 |
| Claire Everett | Subtle Ghosts [tanka tale] | 2 |
| Claire Everett | The Drone [haibun] | 5 |
| Claire Everett | The Refuge [haibun] | 1 |
| Keith Evetts | [A Charm of Avian Verse] [poems and micro-poems] | 18 |
| Keith Evetts | [A Quintet of Micro-Poems] [senryu] | 18 |
| Keith Evetts | Echinoderms [poem] | 20 |
| Keith Evetts | From the Love Collection: “Meretrix” and “The Marmite Wars” [poems, lineated] | 18 |
| Keith Evetts | [From the Thyme: A Quintet of Tiny Poems] [micro-poems] | 18 |
| Keith Evetts | Graham Greene’s Footsteps [haibun] | 20 |
| Keith Evetts | I’m All Right Jack [haibun] | 20 |
| Keith Evetts | Jacob’s Ladder [cheribun, ekphrastic] | 13 |
| Keith Evetts | Klecksography [haibun] | 20 |
| Keith Evetts | The Bell-Shaped Curve [haibun] | 19 |
| Keith Evetts | The Catch [tanka prose] | 19 |
| Keith Evetts | The Haiku Spirit [haibun] | 20 |
| Keith Evetts | Three Micro-Poems (first lines: “I love you Emily; To be inspired by skylarks; and Adlestrop”) [micro-poems] | 19 |
| Keith Evetts | Three Untitled Epigrams (first lines: “moles are muscular; How do I love thee—; three hours of sleep”) [micro-poems] | 20 |
| Keith Evetts | Untitled (first line: “I am the King’s Apostropher”)[micro-poem] | 20 |
| Keith Evetts | Untitled (first line: It’s hard to rhyme lover with hoover) [poem] | 19 |
| Keith Evetts | Untitled (first line: “Wondering whether”) [poem] | 19 |
| Keith Evetts | Yesterday’s Fire [micro-poem sequence] | 18 |
| Keith Evetts and Helene Guojah | Marriage Lines [poem: rengay] | 18 |
| Keith Evetts and Ann Smith | Tooth and Claw [poem: rengay] | 18 |
-F- |
[Back to Alpha Menu] |
|
| Name of Author | Title of Work + [genre] | Issue |
| Alexis Rhone Fancher: | See Rhone Fancher under “R” section. | |
| Matthew Feinstein | Before Bliss [poem] | 3 |
| Matthew Feinstein | To My Younger Self [poem] | 3 |
| deb y felio | Breaking Through [cheribun] | 11 |
| deb y felio | [Untitled Cherita Sequence] [micro-poem, ekphrastic] | 7 |
| Leilani Ferry | Pear [painting] | 17 |
| Scott Ferry | 51, 52, 54, 53 [poem] | 13 |
| Scott Ferry | a pear and a flashlight [poem, ekphrastic] | 17 |
| Scott Ferry | angioplasty [poem] | 5 |
| Scott Ferry | Bolsa Chica Gun Club [poem] | 8 |
| Scott Ferry | Bubbles the fish no longer swims [poem] | 5 |
| Scott Ferry | decision [poem] | 10 |
| Scott Ferry | eel [poem: cadralor] | 6 |
| Scott Ferry | endorphin [poem] | 8 |
| Scott Ferry | Four Poems: “4/7” and “5/12” and “5/13” and “5/15” (plus, four photographs) | 14 |
| Scott Ferry | hope [poem] | 18 |
| Scott Ferry | i have a video appointment [poem] | 18 |
| Scott Ferry | i have been sober for 19 months [poem] | 18 |
| Scott Ferry | i realize that for the 20 years [poem] | 17 |
| Scott Ferry | i show my son the moon early yesterday morning [poem] | 10 |
| Scott Ferry | ichor / eschar [poem: cadralor] | 6 |
| Scott Ferry | ontological questions on the changing table [poem] | 12 |
| Scott Ferry | otosclerosis and mandibular tori [poem] | 11 |
| Scott Ferry | Snow Peas [poem] | 6 |
| Scott Ferry | split dippers [poem] | 12 |
| Scott Ferry | strawberry yogurt and watermelon for breakfast [poem] | 9 |
| Scott Ferry | the air conditioner [poem] | 9 |
| Scott Ferry | The Japanese Andromeda [poem] | 3 |
| Scott Ferry | The way my father ate chicken [poem] | 1 |
| Scott Ferry | they say [poem] | 8 |
| Scott Ferry | Two days before our neighbor died [poem] | 2 |
| Scott Ferry | when i cradle him god cradles me [poem] | 11 |
| Scott Ferry | when looking through a window at a landscape [poem] | 17 |
| Thomas Festa | Skyscrapers [haibun] | 19 |
| Peter Fiore | A Note on Brevity [craft essay re American Gogyōhka] | 1 |
| Peter Fiore | Don’t Stop the Dance [microfiction] | 1 |
| Peter Fiore | Gumba [microfiction] | 1 |
| Peter Fiore | She Asks About His Hat [prose tanka, American Gogyōhka] | 1 |
| Ann Fisher | Illusions [microfiction] | 3 |
| Kate Flannery | Reaping the Whirlwind: An Interview With Kendall Johnson and John Brantingham [nonfiction: interview] | 14 |
| Kate Flannery | The One Necessity [nonfiction: book review], re Dear Vincent: A Psychologist Turned Artist Writes Back to Van Gogh by Kendall Johnson | 14 |
| Laura Foley | Into the Silky Water [poem] | 16 |
| Laura Foley | The Mosquitoes of Tatamagouche [poem] | 16 |
| Lucia Fontana | Cradle of the CoViD [haibun] | 4 |
| Linda Nemec Foster | Adrift [prose poem] | 10 |
| Linda Nemec Foster | California Dream [poem] | 10 |
| Linda Nemec Foster | Dijon Mustard in a Toothpaste Tube, Switzerland [prose poem] | 8 |
| Linda Nemec Foster | Foreign Subplots [prose poem sequence] | 15 |
| Linda Nemec Foster | Hel as a Destination [microfiction] | 15 |
| Linda Nemec Foster | Indigo Sky Above Spain [prose poem] | 2 |
| Linda Nemec Foster | Lipstick in Geneva [prose poem] | 6 |
| Linda Nemec Foster | Memory as Red Hibiscus in Santorini [prose poem] | 1 |
| Linda Nemec Foster | My Husband Disguised as a Stranger in a Kraków Bar [microfiction] | 15 |
| Linda Nemec Foster | On St. James’ Feast Day, the Shells of Abakanowicz [prose poem, ekphrastic] | 2 |
| Linda Nemec Foster | Pablo Picasso in Lucerne [prose poem] | 1 |
| Linda Nemec Foster | Planting Geraniums on Geranium Street [prose poem] | 4 |
| Linda Nemec Foster | The Cloud Sleeps on the Mountain [prose poem] | 15 |
| Linda Nemec Foster | The Infant of Prague in Prague [prose poem] | 6 |
| Linda Nemec Foster | The Irish Guest at the Wedding in Krakow [prose poem] | 8 |
| Linda Nemec Foster | The Muslim Wife at the Best Western, Zurich [prose poem] | 10 |
| Linda Nemec Foster | The Night’s Blue Bowl [prose poem] | 1 |
| Linda Nemec Foster | The Priest’s Garage [prose poem] | 8 |
| Linda Nemec Foster | Tower of Babel [prose poem] | 4 |
| Linda Nemec Foster | [Turin Shroud Triptych] [poem, ekphrastic] | 15 |
| Zak Foster | Two Quilts (Crazy Quilt and Jeans, I Love You) [textile arts] | 16 |
| Valerie Fox | Playing With Dolls [prose poem] | 2 |
| Valerie Fox | Re-Gift List (Not) [microfiction] | 2 |
| George Franklin | Alcestis [poem] | 12 |
| George Franklin | Elsie and Alfred [poem] | 19 |
| George Franklin | Funeral Rites [poem] | 14 |
| George Franklin | Hospitality (“A Few Blocks Away”; “A Little Known Face”; and “Toothache”)[prose poem sequence] | 19 |
| George Franklin | Ode to Stalin [poem] | 16 |
| George Franklin | Orphic Mysteries [poem] | 14 |
| Roseanne Freed | A Fearful Thing [poem] | 15 |
| Roseanne Freed | Black American Express Card [poem] | 18 |
| Roseanne Freed | If Grief Is Inside Us, Who Can Measure the Grief of Another? [poem] | 19 |
| Roseanne Freed | In the Workshop After I Read My Poem Aloud [poem] | 18 |
| Roseanne Freed | The tree which moves some to tears of joy, is in the eyes of others only a green thing [poem] | 14 |
| Roseanne Freed | This Isn’t About You [poem] | 15 |
| Roseanne Freed | You smell like pooh [poem] | 18 |
| Roseanne Freed | Your name is a poem [poem] | 15 |
| Terri L. French | Appearances [haibun] | 2 |
| Terri L. French | Neither here nor there [haibun] | 3 |
| Terri L. French | Two senryu [micro-poems: COVID-ku] | 3 |
| Terri L. French | Tzur Hei HaOlamim [haibun story] | 5 |
| Audrey Friedman | Christmas Day, 2013 [poem: pantoum] | 11 |
| Audrey Friedman | Re-creation [poem] | 18 |
| Jeff Friedman | Father and Son [prose poem] | 9 |
| Jeff Friedman | Ram in the Thicket [prose poem] | 9 |
| Jeff Friedman & Meg Pokrass | Three Micro Stories: “The Grana Padano House of Wedgewood”; “The Not So Invisible Ex”; and “Mistaking One Cheese for Another” [microfiction] | 9 |
| Susan Hatters Friedman | Gretel and Hansel, Retold in What-ifs [microfiction] | 8 |
| Linda Fry | Night and Day [painting] | 10 |
| Gloria Frym | Could Have Been [microfiction] | 17 |
Comments? Questions? Suggestions? Broken links?
Please contact: MacQuinterly [at] gmail [dot] com
Many thanks for taking time to help us keep this site up-to-date.
| Copyright © 2019-2023 by MacQueen’s Quinterly and by those whose works appear here. | |
| Logo and website designed and built by Clare MacQueen; copyrighted © 2019-2023. |
⚡ Please report broken links to: MacQuinterly [at] gmail [dot] com
⚡
At MacQ, we take your privacy seriously. We do not collect, sell, rent, or exchange your name and email address, or any other information about you, to third parties for marketing purposes. When you contact us, we will use your name and email address only in order to respond to your questions, comments, etc.