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MacQueen’s Quinterly: Knock-your-socks-off Art and Literature
| Updated: | 15 Sept. 2023 |
Index of Contributors
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| Name of Author | Title of Work + [genre] | Issue |
| Anne Vallayer-Coster | White Soup Bowl [painting] | 1 |
| Vincent van Gogh | Chestnut Trees in Blossom [painting] | 9 |
| Vincent van Gogh | Fishing Boats on the Beach at Les Saintes-Maries-de-la-Mer (1888) [painting] | 14 |
| Vincent van Gogh | [Hidden Self-Portrait] (circa 1887) [painting] | 14 |
| Vincent van Gogh | Irises [painting] | 13 |
| Vincent van Gogh | Orchard in Bloom (Apricot Trees) [painting] | 17 |
| Vincent van Gogh | Still Life with Mackerels, Lemons, and Tomatoes (1886) [painting] | 18 |
| Vincent van Gogh | Sunflowers (1888) [painting] | 14 |
| Vincent van Gogh | The Harvest (1888) [painting] | 14 |
| Vincent van Gogh | The Starry Night [painting] | 1 |
| Vincent van Gogh | The Starry Night [painting] | 13 |
| Vincent van Gogh | The Yellow House (1888) [painting] | 18 |
| Vincent van Gogh | Vincent’s Bedroom in Arles (Saint-Rémy; September, 1889) [painting] | 13 |
| Vincent van Gogh | Wheatfield with a Reaper [painting] | 15 |
| Vincent van Gogh | Wheat Field with Crows (1890) [painting] | 18 |
| Vincent van Gogh | Winter (The Vicarage Garden Under Snow) (1885) [painting] | 18 |
| Karen VandenBos | Ghost of the White Horse Dream [prose poem, ekphrastic] | 19 |
| Karen VandenBos | Under the Crescent Moon [prose poem, ekphrastic] | 19 |
| Karen VandenBos | Waiting [micro-poem, ekphrastic] | 19 |
| Evan Vandermeer | At the Northside Pond [poem] | 12 |
| Evan Vandermeer | Sleepwalking [poem] | 12 |
| Charles Verlat | The Unfortunate Cat [painting] | 15 |
| Christine L. Villa | Instant Chemistry [painting] + “just when I thought” [micro-poem: cherita] | 5 |
| Christine L. Villa | Morning Muse [painting] + “to find” [micro-poem: cherita] | 5 |
| Christine L. Villa & Hemapriya Chellappan | On the Brink [micro-poem: split sequence] | 9 |
| Christine L. Villa & Tom Clausen | Ancient Call [micro-poem: split sequence] | 10 |
| Christine L. Villa & Peter Jastermsky | Inheritance [micro-poem: split sequence] | 9 |
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| Name of Author | Title of Work + [genre] | Issue |
| Andrew Waddington | Raven [woodblock print] | 9 |
| Elinor Ann Walker | Fugitive But Gorgeous [prose poem] | 19 |
| Elinor Ann Walker | Polymorphous Pigeon in the Art Museum [prose poem] | 19 |
| Nicole Walker | Microbiotics [micro-essay] | 10 |
| Nicole Walker | Microtopography [micro-essay] | 8 |
| Alice Wanderer | Fossil Beach [haibun] | 10 |
| Alice Wanderer | Puffing Billy [haibun] | 20 |
| Alice Wanderer | Ripples in a Mirror [haibun] | 11 |
| Alice Wanderer | Sacred Space [haibun] | 10 |
| Marilyn Ward | Two senryu [micro-poems: COVID-ku] | 3 |
| Bill Waters | Swimming to Byzantium: A Parody [poem, ekphrastic] | 8 |
| Stuart Watson | A Light From Within [flash fiction] | 12 |
| Stuart Watson | Anything for You [microfiction] | 11 |
| Stuart Watson | Bad Intersection [flash fiction] | 12 |
| Stuart Watson | Magicians [haibun] | 19 |
| Stuart Watson | Pope Wins Easter Egg Hunt [flash fiction] | 20 |
| Stuart Watson | The Big One [flash fiction] | 17 |
| Lew Watts | Anathema [haibun] | 11 |
| Lew Watts | Cruising Downtown Santa Fe [haibun] | 6 |
| Lew Watts | Ghost Ranch [haibun] | 5 |
| Lew Watts | Holeh Holeh Holeh [haibun story] | 1 |
| Lew Watts | Loaves and Fishes [haibun] | 18 |
| Lew Watts | Temples of Gods [haibun story] | 5 |
| Lew Watts | The Magic Boomerang [haibun, anomalous] | 1 |
| Lew Watts | They say I have my mother’s eyes [haibun] | 7 |
| Lew Watts | Time to Heal [haibun] | 18 |
| Karen Forstad Weiderman | Five Quilts: Around the Block; Blue Waters—Maine to Maui; Kayaking on Knickerbocker Lake; Maine—The Way Life Should Be; and Multiplying Hexagons [textile arts] | 8 |
| Ruth Weinstein | The Poet in the Trees [poem] | 17 |
| Hilda Weiss | What My Poem Wants Me to Do [poem] | 18 |
| Julie Weiss | Once Upon a Lie [poem] | 14 |
| Julie Weiss | Story I Don’t Tell My Son on Our Way Home From the Emergency Room [poem] | 14 |
| Julie Weiss | The Day I Don’t Tell My Children About the Capitol Attack [poem] | 7 |
| Julie Weiss | The Elephant in the Room [poem] | 7 |
| Anne Marie Wells | Clam Chowder [prose poem] | 11 |
| Marianne von Werefkin | Women in Black [painting] | 8 |
| Stan Lee Werlin | Pitcher [flash fiction] | 10 |
| Harriot West | Amber Rising [tanka prose] | 18 |
| Harriot West | L’Ennui [haibun] | 12 |
| Harriot West | Golconda Denied [haibun, ekphrastic] | 18 |
| Harriot West | Posing for Degas [haibun story, ekphrastic] | 15 |
| Harriot West | Things I’ll Never Tell You [haibun] | 8 |
| Harriot West | Tick-tock [haibun] | 18 |
| Richard Westheimer | The Poetic Impulse of the Dead Not Forgotten [poem] | 20 |
| John Wheway | A Folio of Vermeer’s Paintings [poem] | 20 |
| Kelley White | Four Micro-Poems [senryu and kyoka] | 19 |
| Julie Whitehead | The Zen Masters [flash fiction] | 2 |
| Antoine Wiertz | Nude Behind the Curtain [painting] | 18 |
| Scott Wiggerman | Getting Up [poem] | 18 |
| Scott Wiggerman | Housecleaning Drill Sergeant from Hell [poem] | 18 |
| Scott Wiggerman | The Story of Fire [haibun] | 16 |
| Aruni Wijesinghe | Feed [prose poem] | 14 |
| Aruni Wijesinghe | Kidney-shaped Pool [poem] | 14 |
| Aruni Wijesinghe | Ouroboros [poem] | 14 |
| Tony Steven Williams | Post inferno [haibun] | 1 |
| Tony Steven Williams | So glad to be here [tanka prose] | 20 |
| Kath Abela Wilson | greeny flower [cheribun] | 11 |
| David Wimble | Sea Cliff Bridge [photograph] | 8 |
| Paul-Victor Winters | Steamer Duck in the Garden of Eden [prose poem] | 3 |
| Paul-Victor Winters | Untitled (2019) [prose poem] | 1 |
| Paul-Victor Winters | Untitled (Lucidity) [prose poem] | 1 |
| Paul-Victor Winters | Untitled (Significance) [prose poem] | 1 |
| Francine Witte | Not again [microfiction] | 6 |
| Francine Witte | Perfect [microfiction] | 10 |
| Francine Witte | Trophy [microfiction] | 6 |
| Francine Witte | Wolf [microfiction] | 2 |
| Lily Lavender Wolf | change [prose poem] | 3 |
| Lily Lavender Wolf | gemstone love [poem] | 3 |
| Olivia Wolford | Caelifera [prose poem, ekphrastic] | 13 |
| Rebekah Wolman | Our Years With the Latvians [nonfiction] | 11 |
| Ann Leshy Wood | Cloud Confetti [photograph] | 11 |
| Lorna Wood | Lion’s Tooth [poem] | 6 |
| Keith Woodruff | Junk Drawer [prose poem] | 3 |
| Keith Woodruff | Letter to Wordsworth [prose poem] | 3 |
| Keith Woodruff | The Shore: On Reading Saigyo’s Poems of a Mountain Home [prose poem] | 3 |
| Alison Woolpert | Title VII [haibun] | 8 |
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| Name of Author | Title of Work + [genre] | Issue |
| Brian Yapko | The Man Who Floated [poem] | 11 |
| Cynthia Yatchman | Four Paintings, Mixed-Media: Entropy 3, Lambda, Landscape 5, and [Untitled Shorescape] | 6 |
| Jeanne Yeasting | Dear Berthe [prose poem, ekphrastic] | 2 |
| Jeanne Yeasting | Discriminating Distinction [prose poem] | 2 |
| Jeanne Yeasting | From Today I Banish (Paris, 1860s) [poem, ekphrastic] | 2 |
| Rich Youmans | Living Color [haibun story] | 6 |
| Rich Youmans | Plaiting Poem & Prose: The Art of Braided Haibun [critical essay] | 16 |
| Rich Youmans | Redline [haibun story] | 6 |
| Rich Youmans | Through the Looking Glass [haibun story] | 9 |
| Rich Youmans | What’s Underneath [haibun story, anomalous] | 19 |
| Jonathan Yungkans | A Surreal Intimacy, Like Jazz Music [poem] | 19 |
| Jonathan Yungkans | Anacapa Island [poem] | 6 |
| Jonathan Yungkans | And He Can See Quite Clearly into the Needle [poem, ekphrastic] | 12 |
| Jonathan Yungkans | Answering Neruda [A Quintet of Prose Poems: 4, 14, 15, 16, and 17] | 15 |
| Jonathan Yungkans | Answering Neruda [A Quintet of Prose Poems: 3, 7, 11, 21, 23] | 16 |
| Jonathan Yungkans | Answering Neruda [A Quartet of Prose Poems: 5, 25, 28, 32] | 17 |
| Jonathan Yungkans | As the Ocean Makes Grasses, and in the Process Refurbishes a Lighthouse [poem: duplex] | 14 |
| Jonathan Yungkans | Being Alone in the Middle of a Moan That Did Not Issue From Me [poem] | 19 |
| Jonathan Yungkans | But Anyone Engaged in the Business of Swapping Purity for Depth Will Understand What I Mean [prose poem] | 20 |
| Jonathan Yungkans | Cadralor for Rachael [poem: cadralor] | 8 |
| Jonathan Yungkans | Duplex Beginning With a Line by Leila Chatti [poem] | 13 |
| Jonathan Yungkans | Duplex Beginning With a Line by Xi Chuan [poem] | 13 |
| Jonathan Yungkans | Duplex Beginning With a Line by Cynthia Hogue [poem] | 13 |
| Jonathan Yungkans | Duplex Beginning With a Line by Robert Kelly [poem] | 13 |
| Jonathan Yungkans | Duplex Beginning With a Line by Paul Ilechko [poem] | 12 |
| Jonathan Yungkans | Duplex Beginning With a Line by Betsy Mars [poem] | 12 |
| Jonathan Yungkans | Followed by Periods of Silence [poem] | 18 |
| Jonathan Yungkans | Four Cherita: “I stopped remembering...”; “Wind spins...”; “Crows perched...”; and “steel rails hum” [micro-poems + Poet’s Commentary] | 9 |
| Jonathan Yungkans | Hence It Ends Up With a Scenario of Them All Getting Paid [poem, ekphrastic] | 13 |
| Jonathan Yungkans | It Belongs to Each of Us Like a Blanket [poem, ekphrastic] | 15 |
| Jonathan Yungkans | It Must Mean I’m Not Here Yet [poem] | 18 |
| Jonathan Yungkans | La Porte [poem, ekphrastic] | 10X |
| Jonathan Yungkans | La Victoire [poem, ekphrastic] | 11 |
| Jonathan Yungkans | Landmark’s Nuart Theater [photograph] | 8 |
| Jonathan Yungkans | Le fils de l’homme [poem, ekphrastic] | 11 |
| Jonathan Yungkans | Le Grand Matin [poem, ekphrastic] | 11 |
| Jonathan Yungkans | Like the Cubist Diary of a Brook [poem] | 17 |
| Jonathan Yungkans | “Look at How It Goes Together”: Personal Mechanics of Adapting Duplex Form to Content [craft essay] | 13 |
| Jonathan Yungkans | Make a Purple Prayer Out of Origami and Stuff It [prose poem] | 20 |
| Jonathan Yungkans | Morro Bay [poem: cadralor] | 6 |
| Jonathan Yungkans | Only a Poodle Separates This Life From the Next [prose poem] | 20 |
| Jonathan Yungkans | Origami Dogs Now Available [poem: WaltMarie] | 18 |
| Jonathan Yungkans | Others Have Come and Gone and Wrought No Damage [poem, ekphrastic] | 14 |
| Jonathan Yungkans | Rincon Point, Six A.M. [poem] | 7 |
| Jonathan Yungkans | That Stalled Moment [poem] | 19 |
| Jonathan Yungkans | That We Have Come to Construe as a Landscape [poem: duplex] | 14 |
| Jonathan Yungkans | The Thin, Terrifying Edges Between Things [poem] | 7 |
| Jonathan Yungkans | There Had Never Been a Problem With the Water Before [poem: cento/cadralor hybrid] | 19 |
| Jonathan Yungkans | There Is No Indication This Will Happen [poem] | 18 |
| Jonathan Yungkans | Three Book-Spine Poems: “oblivion banjo”; “Eventually One Dreams the Real Thing”; and “Visible Signs” [+ photos] | 9 |
| Jonathan Yungkans | Three B&W Photographs: At the Edge of Myself #2; Clouds and Downtown Los Angeles Skyline; and Morning Raven [visual art] | 9 |
| Jonathan Yungkans | Two Cherita: “leaving the doctor” and “the best part of waking up” [micro-poems] | 8 |
| Jonathan Yungkans | Two Duplex Poems: “Like Some Pocket History of the World, So General” and “The Old Man Looks Strangely at the Sea” [poems: duplex] | 10 |
| Jonathan Yungkans | Variation on the 91st Psalm [poem] | 10 |
| Jonathan Yungkans | Where Everything Gets Unraveled Just Right [poem: duplex] | 10 |
| Jonathan Yungkans | Women in Black [poem, ekphrastic] | 8 |
| Jonathan Yungkans | Woodcuts [poem, ekphrastic] | 9 |
| Jonathan Yungkans | Yet Not So Dirty, Surely Not in the Spiritual Sense [prose poem] | 20 |
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| Name of Author | Title of Work + [genre] | Issue |
| Aggie Zed | Ceramic Sculptures [sculpture] | 3 |
| Aggie Zed | Magician (2001) [sculpture] | 3 |
| Aggie Zed | “What did those Magamen want?” [digital art] | 3 |
| William Zote | Three Haiga: autumn wind [haiku + watercolor]; oldies FM [haiku + hand-sketch with real flower petals]; and terrace garden [haiku + photograph with pencil and chalk art] | 8 |
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