Updated: | 4 Feb. 2024 |
-A- | [Back to Alpha Menu] | |
Name of Author | Title of Work + [genre] | Issue |
L. Ward Abel | Suited [poem] | 21 |
Fran Abrams | It’s Pi Every Time [poem] | 11 |
Nathan Agostino | [Lightning Giant] [photograph] | 8 |
Serena Agusto-Cox | Two Poems After Gustave Caillebotte: “Practice” and “Apprentice” [poems, ekphrastic] | 6 |
Pauline Aitken | Dendron [visual art]; collaboration, with ekphrastic poem by Christine Stewart-Nuñez | 7 |
Dave Alcock | Believer [microfiction] | 16 |
Dave Alcock | Congeners [microfiction] | 13 |
Dave Alcock | Equanimity [microfiction] | 15 |
Dave Alcock | Fall [microfiction] | 12 |
Dave Alcock | For the Errand That Brings Us Together [microfiction] | 13 |
Dave Alcock | Foxes [microfiction] | 22 |
Dave Alcock | Gaps [microfiction] | 12 |
Dave Alcock | Hand [microfiction] | 16 |
Dave Alcock | Limbo [microfiction] | 13 |
Dave Alcock | Lorikeets [prose poem] | 18 |
Dave Alcock | Out [microfiction] | 14 |
Dave Alcock | Overlooked [microfiction] | 22 |
Dave Alcock | Seed [microfiction] | 12 |
Dave Alcock | Sycorax [microfiction] | 20 |
Dave Alcock | Wishing Well [microfiction] | 18 |
Farah Ali | Burn [haibun] | 19 |
Farah Ali | Fangs [haibun] | 19 |
Farah Ali | Gaslight [micro-poem: split sequence] | 22 |
Farah Ali | Van Gogh’s The Potato Eaters, 1885 [poem, ekphrastic: haiku sequence] | 22 |
Stephen A. Allen | Chicago Street Scene [haibun] | 18 |
Stephen A. Allen | Curated Playlist [haibun] | 18 |
Linda Allison | Anatomy of an Inspired Chef [prose poem] | 11 |
Janice Alper | Two Bucks of Happiness [micro-poem] | 18 |
Cynthia Anderson | Afterlife [poem: cherita sequence] | 21 |
Cynthia Anderson | Alive [poem] | 22 |
Cynthia Anderson | American Beauty [cheribun] | 13 |
Cynthia Anderson | Animals [poem, ekphrastic] | 13 |
Cynthia Anderson | Badlands [micro-poem: split sequence] | 22 |
Cynthia Anderson | Born Again [poem: cherita sequence] | 2 |
Cynthia Anderson | Cinema Perdu [prose poem] | 15 |
Cynthia Anderson | Climate Incarnate [haibun] | 19 |
Cynthia Anderson | Cow Swatting Flies [poem, ekphrastic] | 13 |
Cynthia Anderson | Crossing Over [poem: cherita sequence] | 3 |
Cynthia Anderson | Doctor, My Eyes [haibun] | 11 |
Cynthia Anderson | Et Tu, Brute? [haibun] | 12 |
Cynthia Anderson | Facing the Music [haibun] | 19 |
Cynthia Anderson | False Spring [micro-poem: split sequence] | 10 |
Cynthia Anderson | Formerly Known as Ion [haibun story] | 7 |
Cynthia Anderson | Four Micro-Poems [cherita] | 12 |
Cynthia Anderson | Garbage Out [haibun] | 11 |
Cynthia Anderson | “I’m a Bill you never have to pay” [haibun] | 15 |
Cynthia Anderson | Indwelling [haibun] | 18 |
Cynthia Anderson | La Buena Vida [haibun] | 15 |
Cynthia Anderson | Merry and Bright [micro-poem: tanka sequence] | 10X |
Cynthia Anderson | Now or Never [micro-poem: split sequence] | 11 |
Cynthia Anderson | On His Blindness [haibun] | 19 |
Cynthia Anderson | San Francisco, April 14, 1905 [poem] | 21 |
Cynthia Anderson | Self-Paced [micro-poem: split sequence] | 10 |
Cynthia Anderson | Simpatico [micro-poem: split sequence] | 10 |
Cynthia Anderson | Storm Tending [haibun] | 19 |
Cynthia Anderson | Summer of Love [cheribun] | 13 |
Cynthia Anderson | Syllabus [micro-poem: split sequence] | 22 |
Cynthia Anderson | Territory [haibun] | 14 |
Cynthia Anderson | The Deaths of Others [prose poem] | 15 |
Cynthia Anderson | The Forest Town at the Foot of the Mountains [prose poem] | 2 |
Cynthia Anderson | The Sculptor and His Muse, by Rodin [poem, ekphrastic] | 9 |
Cynthia Anderson | Three Micro-Poems [haiku] | 17 |
Cynthia Anderson | Three Micro-Poems [cherita and haiku] | 4 |
Cynthia Anderson | Three Micro-Poems: “gentrification” [cherita], “road to ruin” [senryu], and “in my life” [cherita] | 5 |
Cynthia Anderson | Three Senryu: “blowing snow,” “there is no spoon—” and “wishful thinking” [micro-poems] | 7 |
Cynthia Anderson | Two Cherita: “[body of water]” and “[stoic]” [micro-poems] | 14 |
Cynthia Anderson | Trail Chains [poem] | 7 |
Cynthia Anderson | Two Cherita [micro-poems] | 9 |
Cynthia Anderson | Yin/Yang [micro-poem: split sequence] | 11 |
Doug Anderson | Forgive Me, It’s the Vaccine Talking [poem] | 7 |
Debbi Antebi | Rules [haibun] | 9 |
David Appelbaum | The Phone Call [poem] | 6 |
M. J. Arcangelini | One Highway Too Far [poem] | 21 |
Glen Armstrong | Two Poems: “Year of the Sea Monkey CVII” and “Year of the Sea Monkey CVIII” | 8 |
Sandra Arnold | The end of the rainbow [flash fiction] | 14 |
Mikki Aronoff | Cinder [microfiction, ekphrastic] | 10 |
Mikki Aronoff | Dear Mikki, “Erasure Rejection Letters” [poems, found] | 21 |
Mikki Aronoff | Fairest of All [microfiction, ekphrastic] | 22 |
Mikki Aronoff | Fossils [microfiction] | 12 |
Mikki Aronoff | Fugue, 1956-1959 [microfiction, ekphrastic] | 13 |
Mikki Aronoff | Heist [flash fiction] | 18 |
Mikki Aronoff | La Primavera [microfiction, ekphrastic] | 22 |
Mikki Aronoff | Old Chestnuts [microfiction] | 12 |
Mikki Aronoff | Promises [microfiction] | 13 |
Mikki Aronoff | Ready or Not [prose poem, ekphrastic] | 13 |
Mikki Aronoff | Red [microfiction, ekphrastic] | 22 |
Mikki Aronoff | Split Apart [microfiction, ekphrastic] | 12 |
Mikki Aronoff | Spurt [microfiction] | 12 |
Mikki Aronoff | Swimming With the Blind Fish [microfiction] | 22 |
Madeline Artenberg | Crak, Bam [poem] | 10 |
Madeline Artenberg | Offspring [poem] | 11 |
Madeline Artenberg | Rhinestones and Memories [poem] | 10 |
Madeline Artenberg | Soft Hand [poem] | 11 |
Cassandra Atherton | Asphyxia [prose poem] | 3 |
Cassandra Atherton | Japanese Bath [prose poem] | 3 |
Cassandra Atherton & Paul Hetherington | Cabaret (1972 film) [sequence of five prose poems, ekphrastic; and poets’ commentary] | 13 |
Sharon Auberle | Musca Domestica [haibun] | 7 |
Comments? Questions? Suggestions? Broken links?
Please contact: MacQuinterly [at] gmail [dot] com
Many thanks for taking time to help us keep this site up-to-date.
Copyright © 2019-2024 by MacQueen’s Quinterly and by those whose works appear here. | |
Logo and website designed and built by Clare MacQueen; copyrighted © 2019-2024. |
At MacQ, we take your privacy seriously. We do not collect, sell, rent, or exchange your name and email address, or any other information about you, to third parties for marketing purposes. When you contact us, we will use your name and email address only in order to respond to your questions, comments, etc.