Thank you for your interest in sending your work to MacQueen’s
Our publisher takes to heart the advice from Poet’s Market:
“Submission Guidelines are pure gold for the specific information they
provide.” Thus, this page offers a vault-full of details that we hope you
will find helpful.
This information is updated periodically.
Issue 11 (aka MacQ-11) Reading Periods:
13–19 November 2021 (7 days)
“Triple-Q” Writing Challenge:
22 November thru 5 December 2021 (14 days)
MacQ-11 Launch Date:
No later than 1 January 2022
Please scroll down for detailed guidelines...
Item 9 below lists the genres and forms we generally publish,
and Item 13 (Restrictions) describes what we’re not
See also our Ongoing Call for Haibun Stories and Tanka Tales.
Calendar for Submissions in 2021:
|MacQ-7 reading period:
|MacQ-7 launched on:
|MacQ-8 reading period:
|MacQ-8 launched on:
|MacQ-9 reading period:
|MacQ-9 launched on:
|MacQ-10 reading period:
|MacQ-10 launched on:
|MacQ-11 reading periods:
||13–19 November; and
22 Nov thru 5 Dec
|MacQ-11 launch date:
||~1 January 2022
(For historical data, see
- Electronic Submissions via Submittable Only: This is because
MacQ has no staff to process paper submissions, and, to our publisher’s
eternal chagrin, several emailed submissions have gotten lost in her back-logged
(The link to our Submittable site appears at the bottom of this page.)
- Please submit original, unpublished writing. If works appear
anywhere else for folks to read and view, whether in print or electronic
form—including at author websites, in blogs, and on public sites such as
Fictionaut, Facebook, and Twitter—then we consider them already published.
- Reprints: We solicit reprints of previously published works
by contacting individual authors and artists directly.
- Payment: We award cash prizes and publication to winners and
our themed competitions and writing challenges.
In addition, for each issue of MacQ, one of the works accepted for publication
through general submissions and/or Solicited Mss. will receive an
Editor’s Choice Award of $100 (one hundred U.S.
- Three categories of general submissions were available for
Issue 10. Fees are in USD: “1 Work for $3,”
“Up to 4 Works for $4,” and “5+ Works
for $5” *
Flash-length works of fiction, nonfiction, prose poetry, poetic hybrids such as
haibun and tanka prose, lineated poetry, and sequences of micro-poems (e.g.,
cherita, haiku, senryu, tanka, etc.) will be considered.
Just a tip: MacQ rarely publishes individual micro-poems like haiku
and tanka (unless they’re ekphrastic or within artworks like haiga and taiga).
Thus, multiples and/or sequences of those by the same author are more likely
to be accepted.
*5+ Works for $5: This category has two options. First,
if you want to send us works that are each between 500 and 1,000 words long
(including title and any epigraphs), then please upload no more than five pieces
within a single file.
Second option: If you want to send us micro-poems and/or tiny fictions and
“minimalist” haibun and tanka prose that are fewer than 500 words
each, then the more the merrier! We will gladly consider up to a dozen
micro-works uploaded within a single file. As mentioned above, we rarely
publish individual micro-poems, which means that multiples and sequences have
a better chance of acceptance.
- Response time for submissions will vary, from a few hours or
a couple of weeks up to 90 days.
- Simultaneous submissions will be considered—but not
for our contests and ekphrastic challenges.
These days, we assume that the majority of general submissions are simultaneous.
Even so, we ask: Please be professional and send us a message right away via Submittable when work(s) from your
general submission get accepted by another venue.
And please do NOT withdraw your submission of multiple pieces
when only one or two have been accepted elsewhere. If you choose the
“Withdraw” category in Submittable, then any other pieces in your
original submission are no longer available for consideration. (And if you want
the other pieces to be “active” again, then you would need to resubmit
Imagine how disappointing it can be for us to invest time and care in evaluating
and choosing one or more of your works, only to discover when you reply to our
acceptance letter that they were placed elsewhere already. Please rest assured
that our publisher’s goal is to respond with decisions as soon as possible.
- Visual Arts:
We consider general submissions of black and white as well as color
artwork. And we’re interested in a range of forms, such as
(but not limited to) paintings, photographs, drawings, digital art,
Images may be low to medium resolution (generally, 72 to 200 ppi).
The “content column” at our website can accommodate
images up to 440 pixels wide.
While we will gladly consider artworks of all shapes, orientations,
and aspect ratios, please keep our specifications in mind.
Please embed artworks within a single Word document, uploaded via our
Submittable site. Please include below each artwork its title
(if none, please indicate “untitled”), date of creation,
and media used. We would also like to see links to any online
galleries you have, such as your own website, Artfinder, Facebook, Flickr,
- The Kind of Writing We Need: Polished, evocative, literary
works that balance “music and meaning” (to borrow from poet
Richard Hugo) within a thousand words max, including the title (or up
to 2,000 words for critical reviews, craft essays, and interviews, including
title), and using forms such as these:
TIP: As we consider submissions to our journal, awards such
as the Pushcart Prize, Best Microfiction, Best of the Net, and The Best Small
Fictions loom over the decisions we make. We look for works that knock our
socks off, that is, prize-worthy material. Regardless of the genre, we cherish
a unique voice, fresh language, and the sly use of literary devices such as
metaphor and irony. We hope to be side-swiped, poked in the ribs, and
otherwise smitten by an arresting idea, a compelling narrative, an exquisite
lyric, or a moving account, all of which thread the perfect line between the
personal and the universal.
⚡ Prose poems
(up to 500 words each)
⚡ Flash fiction
(501–1,000 words each)
⚡ CNF, essays, memoirs,
⚡ Reviews, craft essays,
and interviews (up to 2,000 words each, including title)
⚡ Fables, allegories, and
parables, whether light or dark, written for adults
⚡ Literary hybrids such as haibun,
haibun stories, haiga, taiga, chaiga, tanka prose, and tanka tales; for
specific guidelines and tips, please see:
Ongoing Call for Haibun Stories and Tanka Tales
⚡ Ekphrastic works, in every
genre we publish: fiction, nonfiction, lineated and prose poetry,
hybrids such as haibun and tanka forms, and visual arts (for tips on
what we’re looking for, please see
Ephective Ekphrastics: A Guide to Verbalizing Art
by Jack Cooper and Clare MacQueen)
⚡ Poetry, both free verse
and formal, that travels the middle way between transparency and
obscurity; i.e., accessible but with a measure of mystery
- Word counts do not include author’s bio and other
identifying information, but are limited to text and title of each piece
(as well as any epigraphs).
Lengthy footnotes provided by authors in critical
essays, interviews, and reviews will appear with separate word counts,
which do not affect the total word count of the piece itself. The same
is true for notes from the publisher or from contributing editors.
Word counts for any notes added by our editorial team will appear below
the stats for each work, at the upper-right corner of the white content
column of the webpage.
Titles Do Matter! We occasionally receive
submissions with a word count of “about a thousand,”
only to discover that the author did not factor in, say, an eight-word
title. Please be aware that we may decline such works, simply because
we’re too busy to correspond with folks about which words to trim.
For all genres except reviews, craft essays, and interviews (which may run
up to 2,000 words each, not counting footnotes), works must be no longer
than a thousand words each—and the word count must include the
title as well, because (1) the title is part of the work,
and (2) we may want to nominate the work for competitions that have
strict rules about word counts.
By the way, one-word titles are fine with us.
- Subject Matter May Be Eclectic:
⚡ The mundane and
⚡ The ordinary and
fiction, as well as the surreal in moderate measure.
⚡ Think outside the
catacomb now and then—surprise us with a little sunshine,
and even some humor. ☺
For a kajillion, see
MacQ’s first 10 issues.
- ⚡ Twelve issues of our “big
sister” journal KYSO Flash are also freely available online,
no subscription necessary. And perusing the last two issues especially,
KF-12, will give you a good idea of the range
of forms, styles, and themes we’re looking to publish here
in MacQ as well.
- ⚡ And/or check out
A Few of Clare’s Favorites, which lists
contemporary works that our publisher enjoys re-reading.
⚡ No limericks,
unless integral to a larger work.
⚡ No gratuitous violence:
remember, less is more.
⚡ No “hate lit”
(such as racial & gender-based rants).
⚡ No children’s
stories; our target readers are adults.
⚡ No hard-core fantasy, horror,
romance, or sci-fi, though we happily consider fabulism in moderation.
⚡ We rarely publish individual
haiku, senryu, tanka, kyoka, or cherita (unless they’re ekphrastic).
We prefer those that appear within longer forms such as haibun and tanka
prose, or within haiga (the combination of poetry and visual art). Linked
poems, sequences, and split sequences of the aforementioned forms of
micro-poetry will be happily considered.
⚡ No pornography, although
we’re happy to publish erotica and works that contain explicit
sexual themes and language. Examples: Alexis Rhone Fancher’s
Below our bedroom window in Issue 8 of MacQ,
Morning Wood in Issue 2 of KYSO Flash
(aka KF-2), and
I Prefer Pussy in KF-6; see also This Close by Dorianne Laux, and First Sex by Sharon Olds, published elsewhere.
- ⚡ No evangelism, religious
proselytizing, or spiritual intolerance, although spiritual themes are
encouraged, and literary works from a range of spiritual traditions are
- ⚡ With the exception
of critical reviews, craft essays, and interviews, no works
that contain copyrighted material created by third parties—unless
also accompanied by a copy of the permission agreement between author
and copyright holder. Copyrighted material refers to quotations, lines
from poems, song lyrics, photographs of paintings and other artworks,
To reiterate, third-party quotations, with full
and proper attribution, are acceptable and even expected in critical
reviews and craft essays. PLEASE, have mercy on our busy publisher
(she’s a production army of one, with limited time for research),
and include your sources! Plus links if at all possible.
Thanks so much!
- ⚡ No gratuitous use of
obscenities and vulgarities: Every word counts in short forms. Often,
there’s little room for profanity. Of course, an occasional
“fuck” can be quite useful and appropriate, in more ways
than one. ☺ And
“shit” has become all-purpose. But when such words are
overused, they can weaken the work.
For an exception to that “shitty rule,” see Bob Lucky’s
Shit (an adjective; a noun; a verb), a Sonnet.
And for a skillful example of balanced and appropriate usage
of more “industrial-strength” profanity, please see Tara
Ladies Night, which won first prize in the
KYSO Flash Triple-F Writing Challenge.
- Manuscript Formatting:
- ⚡ NOTE:
Author’s name, contact info, and bio should NOT appear on
submitted works (with the exception of Solicited Manuscripts), but
should be entered in the appropriate boxes provided by Submittable.
We prefer to read “anonymously” and cannot do so if we recognize
author’s name or reputation. No worries: Submittable keeps track
of everything nicely by assigning a number to each submission received.
- ⚡ An 11- or 12-point,
sans-serif font such as Verdana is easiest to read online. Please,
no serif and script fonts. Fancy fonts fatigue the eyes and the brain,
as confirmed by usability studies. However, if a specific font is
integral to your work (for example, to forms of concrete poetry), then
we’ll consider those.
- ⚡ For the most part, cover
letters are not needed—our overwhelmed publisher often has no time to
read them, much less reply to them. But if you do include a cover letter,
please do not explain your work upfront or, worse, spoil any
surprises in it by giving things away in your letter. Upfront
explanations can create bias in the reader, which may or may not work
in the writer’s favor. We strongly prefer that your work be allowed
to speak for itself.
- ⚡ Manuscripts should include
at least one-inch margins.
- ⚡ After the title of each
piece in your document, please include in brackets the genre or general
category (flash fiction, memoir, CNF, prose poem, haibun, etc.) that you
would like your work to be listed under. If experimental or mixed, then
kindly specify which genres or sub-genres form the hybrid.
- ⚡ Manuscript pages should be
- ⚡ Double space prose works
such as flash fiction, essays, and reviews. Tiny fictions, prose poems,
lineated poems, and poetic hybrids such as haibun and tanka forms
may be single spaced, of course.
- Our shameless ambition? For our online visitors’ viewing
and reading pleasure, we aim to offer a few hundred memorable works each
year. To that end, we will gladly consider scads of submissions as we search
for the editors’ Holy Grail, those gems that will make us weep
and holler and laugh, or even speak in tongues, all in admiration
of their creators.
We look forward to seeing your writing and artworks. Thank you!