|
||||||||||
|
|
|
| Updated: | 7 Jan. 2026 |
Re the usage of “new” and “reprints” in these stats: New works are those that are previously uncurated. That is, those which have not appeared in any curated collection, whether in print or online—such as anthologies, books, chapbooks, journals, magazines, newspapers, etc. In other words, MacQueen’s Quinterly is the first curator of the works.
Reprints are works that were previously curated. As publisher of MacQ, I solicit reprints on a limited basis by contacting authors and artists directly. When publishing reprints, I also include a note to credit the previous curator or publishing venue.
This concept of curation “leaves open the ability to self-publish on social media or blogs or message boards. It allows the work to be shared on podcasts and open mics,” as Rattle editor Timothy Green writes in Uncurated: The Case for a New Term of Art (Lit Mag News, 16 March 2023). “Tweet your poems and flash fiction. Tag the person it was written for on Facebook. Workshop stories online. Blog chapters from your novel-in-progress. This is how a literary culture thrives.”
1. Content: The total of 103 pieces published in Issue 31 includes 85 written works and 18 visual artworks. Of the 85 written works, three are previously curated.
Of the visual artworks, five are published here for the first time anywhere: a quintet of paintings by Kendall Johnson.
2. Submissions: were processed in October and November 2025 for two issues combined, 30X and 31. I hope to publish the combined specific data in late January.
3. VIDA Stats: MacQ-31 contains works by a total of 47 contributors: 22 women (or ~47%) and 25 men (~53%).
Of the 47 contributors, seven (or ~15%) are “new to MacQ”—that is, their works do not appear previously in MacQueen’s Quinterly nor in KYSO Flash, MacQ’s predecessor. Of the seven “new” contributors, there are two women and five men.
Percentages of “new to MacQ” contributors range from a low of 10% in Issue 20X (November 2023) to a high of 58% in Issue 10 (October 2021). Overall, across 34 issues of MacQ (i.e., 1–31, plus 10X, 20X, and 30X), the average of new contributors equals ~30 percent.
As with KYSO Flash, MacQ generally aims to balance the ratio of women to men authors and artists. An equal balance has occurred twice in the 12 years that I’ve been publishing these journals: Issue 14 of MacQueen’s Quinterly has works by 70 contributors, 35 of whom are women; and Issue 7 of KYSO Flash has works by 32 contributors, including 16 women.
Across 34 issues of MacQ, the number of women authors and artists published therein averages ~51 percent, ranging from a low of 40% in Issues 1 and 26 (January 2020 and January 2025, respectively) to a high of 62.5% in Issue 12 (March 2022).
(Across 12 issues of KYSO Flash, from Fall 2014 thru Summer 2019, the number of women published therein averages 52 percent, ranging from a low of 44% in Issue 3 [Spring 2015] to a high of 59% in Issue 11 [Spring 2019]. For additional KYSO Flash data, see Historical VIDA stats.)
With MacQueen’s Quinterly, as it was with KYSO Flash, my goal is to balance the ratio of women to men authors and artists whenever possible—which has happened twice now: Issue 14 of MacQ contains works by 70 contributors, exactly half of whom are women, and Issue 7 of KYSO Flash contains works by 32 contributors, 16 of whom are women.
However, in each of 12 issues, from Fall 2014 thru Summer 2019, KYSO Flash consistently published a minimum of 44% women authors and artists. Fifty-nine percent was the highest percentage of women published, which occurred in Issue 11, Spring 2019.
Details about each of those issues follow below.
| Issue | Total Contributors |
Women | Men | Non-binary | ||||||
| 1 | KF-12 2019 |
74 | 43 (58.5%) |
30 (40%) |
1 (1.5%) |
|||||
| ||||||||||
| 2 | KF-11 2019 |
71 | 42 (59%) |
29 (41%) |
N/A | |||||
| ||||||||||
| 3 | KF-10 2018 |
44 | 24 (54%) |
20 (46%) |
N/A | |||||
| ||||||||||
| 4 | KF-9 2018 |
56 | 27 (48%) |
29 (52%) |
N/A | |||||
| ||||||||||
| Issue | Total Contributors |
Women | Men | Non-binary | ||||||
| 5 | KF-8 2017 |
65 | 32 (49%) |
33 (51%) |
N/A | |||||
| ||||||||||
| 6 | KF-7 2017 |
32 | 16 (50%) |
16 (50%) |
N/A | |||||
| ||||||||||
| 7 | KF-6 2016 |
75 | 43 (57%) |
32 (43%) |
N/A | |||||
| ||||||||||
| 8 | KF-5 2016 |
52 | 24 (46%) |
28 (54%) |
N/A | |||||
| ||||||||||
| Issue | Total Contributors |
Women | Men | Non-binary | ||||||
| 9 | KF-4 2015 |
41 | 21 (51%) |
20 (49%) |
N/A | |||||
| ||||||||||
| 10 | KF-3 2015 |
46 | 20 (44%) |
26 (56%) |
N/A | |||||
| ||||||||||
| 11 | KF-2 2015 |
58 | 26 (45%) |
32 (55%) |
N/A | |||||
| ||||||||||
| 12 | KF-1 2014 |
53 | 28 (53%) |
25 (47%) |
N/A | |||||
|
| Copyright © 2019-2026 by MacQueen’s Quinterly and by those whose works appear here. | |
| Logo and website designed and built by Clare MacQueen; copyrighted © 2019-2026. | |
|
Data collection, storage, assimilation, or interpretation of this publication, in whole or in part, for the purpose of AI training are expressly forbidden, no exceptions. |
At MacQ, we take your privacy seriously. We do not collect, sell, rent, or exchange your name and email address, or any other information about you, to third parties for marketing purposes. When you contact us, we will use your name and email address only in order to respond to your questions, comments, etc.