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MacQueen’s Quinterly: Knock-your-socks-off Art and Literature
Issue 7: March 2021
Poem: 93 words
By Robert L. Dean, Jr.

Borrowed Time

 

We live on it 
never pay it back 
take it to the grave 

what interest accrues 
matures in the next life 
god cashes in our chips 
takes her cut, what is 

the percentage on 
eternity, would we 
wager such a deal 
if we could see 

what was coming 
I suspect 
we would 

come boom or bust 
all or nothing 

listen 
the clock rings 
like a cash register 
listen 

time is a breaker 
of kneecaps 
a hood with a sap 
in a cheap suit 

and yet 
we fall for it 
every time 

 

Robert L. Dean, Jr.
Issue 7, March 2021

is the author of two books: The Aerialist Will Not Be Performing, ekphrastic poems and short fictions after the art of Steven Schroeder (Turning Plow Press, 2020), and a poetry collection, At the Lake with Heisenberg (Spartan Press, November 2018). Nominated for a Pushcart Prize in 2019 and multiple times for Best of the Net, his work has appeared in Chiron Review; Flint Hills Review; Heartland! Poetry of Love, Resistance & Solidarity; I-70 Review; Illya’s Honey; KYSO Flash; MacQueen’s Quinterly; October Hill Magazine; Red River Review; River City Poetry; Shot Glass; The Ekphrastic Review; and the Wichita Broadside Project.

Dean is event coordinator for Epistrophy: An Afternoon of Poetry and Improvised Music, held annually in Wichita, Kansas. He has been a professional musician, having played bass for, among others, Jesse Lopez, B. W. Stephenson, Bo Didley, The Dallas Jazz Orchestra, and the house band for the Fairmount Hotel Venetian Room. He grew up in Topeka and Wichita, Kansas before spending 30 years between Los Angeles and Dallas, where he worked at The Dallas Morning News. He now lives in a one-hundred-year-old stone building in Augusta, Kansas, along with a universe of books, CDs, LPs, an electric bass, and a couple dozen hats. In his spare time, he practices the time-honored art of hermitry.

More on the Web: By, About, and Beyond

Hopper and Dean: Interview and poems in River City Poetry (Fall 2017).

Metal Man, ekphrastic poem inspired by a 1955 photograph of Dean’s paternal grandfather in the Boeing machine shop; published in The Ekphrastic Review (28 July 2018) and nominated for the Pushcart Prize.

Windmill, ekphrastic poem inspired by Dean’s maternal grandfather; published in KYSO Flash (Issue 11, Spring 2019) and nominated for the Pushcart Prize. This poem is among half-a-dozen of Dean’s ekphrastic works published in KYSO Flash (Issues 11 and 12).

Llama, 1957, ekphrastic haibun inspired by Inge Morath’s photograph A Llama in Times Square; published in The Ekphrastic Review (13 January 2018).

 
 
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