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MacQueen’s Quinterly: Knock-your-socks-off Art and Literature
Issue 34: Sept. 2026
Cheribun Story: 164 words
Poet’s Commentary: 142 words
By Terri L. French (plain text)
and Colleen M. Farrelly (italics)

 

Don’t Bug Me

 

I open the door to two young men teetering on Segways. “Hi, there. I’m Evan and this here is Bradley. You must be the queen of the house.”

“How’d ya guess?” I quip.

“You have that royal glow,” he says.

“I’m having a hot flash,” I say.

Bradley snickers and Evan cuts him a look. “Well, anyway, I’ll bet you have some pests you’d like to get rid of.”

I consider another snide remark, but figure it would demote me from queen status. “Not really. It’s a new house. We just moved in a couple months ago.”

“No ants? termites? Ah-ha,” he says, pointing to a spider on the porch. “How about that guy?”

“That’s my friend, Herman. He is a very well-mannered guest.”

Bradley snickers again, and after a few seconds pipes in. “Dude, I don’t think she’s in our target audience.”

eight limbs 
shooed off 
my patio 

I jot a note 
for next time 

these webs we weave  

 

Poet’s Commentary by Colleen M. Farrelly

Cheribun is a relatively new hybrid form combining prose with cherita; thus far, few have explored collaborative varieties. When Terri and I first discussed collaborative cheribun, we weren’t sure of the best way to construct the collaboration. On our first attempt, “Don’t Bug Me,” a prose-cherita split seemed sufficient for the piece. However, Terri suggested a more interlinked version where one person writes the first paragraph, followed by a cherita and second paragraph by the second person, followed by a final cherita written by the first person; thus, the collaborative form is sandwiched by authorship. “Zigzag” was our first attempt at this interlinked collaborative cheribun, but we suspect many collaborative variations of cheribun could exist. Braided and French-braided varieties of cheribun provide ideal targets for future collaboration (as well as braided varieties of haibun!).

 

Bio: Terri L. French

Bio: Colleen M. Farrelly

 
 
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