time / memory slinks
across the furniture
I rise up creaking
old / young
when The Dreaming
laid me down
perchance to sleep / to flutter
whisper / rattle
deep in my throat
how brief the light
each rusty day a nail / lepidoptera pin
is the author of the poetry collection At the Lake with Heisenberg (Spartan Press, November 2018). His second book, The Aerialist Will Not Be Performing, ekphrastic poems and short fictions after the art of Steven Schroeder, will be released early in 2020. His writings have appeared or are forthcoming in Chiron Review; Flint Hills Review; Heartland! Poetry of Love, Resistance & Solidarity; I-70 Review; Illya’s Honey; KYSO Flash; MacQueen’s Quinterly; Red River Review; River City Poetry; Shot Glass; The Ekphrastic Review; and the Wichita Broadside Project. His work has been nominated multiple times for the Pushcart Prize and the Best of the Net anthology award; he was a quarter-finalist in the 2018 Nimrod Pablo Neruda Prize for Poetry; and he read at the Scissortail Creative Writing Festival and the Chikaskia Literary Festival in 2018.
Dean has been a professional musician and worked at The Dallas Morning News. He lives in Augusta, Kansas, and serves as Event coordinator for Epistrophy: An Afternoon of Poetry and Improvised Music held annually in Wichita.
Hopper and Dean: Interview and poems in River City Poetry
Metal Man, ekphrastic poem inspired by a 1955 photograph of
Dean’s paternal grandfather in the Boeing machine shop; published in
The Ekphrastic Review (28 July 2018) and nominated for the Pushcart Prize.
Windmill, ekphrastic poem inspired by Dean’s maternal
grandfather; published in KYSO Flash (Issue 11, Spring 2019) and nominated
for the Pushcart Prize. This poem is among half-a-dozen of Dean’s ekphrastic
works published in KYSO Flash (Issues 11 and 12).
Llama, 1957, ekphrastic haibun inspired by Inge Morath’s
photograph A Llama in Times Square; published in The Ekphrastic
Review (13 January 2018).