When Godot finally shows up, he’s as surprised as we are. We find an all-night café and order bread and cheese and a bottle of the local red, very dry and cheap. We nibble and sip for days hoping someone can remember why we’re here. Godot occasionally smiles, shrugs his shoulders, and orders more wine. “Is this all there is?” I ask. He orders a bottle of champagne. “Why is it all seers are blind?” he asks.
fall colors faded graffiti proclaiming the end
is a regular contributor to haiku, haibun, and tanka journals. His fiction, nonfiction, and poetry have appeared or are forthcoming in Flash, Rattle, Modern Haiku, KYSO Flash, MacQueen’s Quinterly, SurVision, Haibun Today, The Haibun Journal, and Contemporary Haibun Online (the latter for which he served as content editor from July 2014 thru January 2020).
His chapbook of haibun, tanka prose, and prose poems, Ethiopian Time (Red Bird Chapbooks, 2014), was an honorable mention in the Touchstone Book Awards. His chapbook Conversation Starters in a Language No One Speaks (SurVision Books, 2018) was a winner of the James Tate Poetry Prize in 2018. He is also the author most recently of a collection of prose poems, haibun, and senryu, My Thology: Not Always True But Always Truth (Cyberwit, 2019); and an e-chapbook, What I Say to You (proletaria.org, 2020).
⚡ A Posthumous Lesson From My Mother and The Party, two haibun by Bob Lucky which were nominated by MacQ for the Red Moon Anthologies, and selected for publication in Contemporary Haibun 17 (Red Moon Press, 2022).
⚡ Featured Poet: Bob Lucky in Issue 10 of MacQ