Does it cry out? in desperation? Can you hear it? if you’ve never walked the forest path arm-in-arm beside me? If you’re not standing there before it? if you don’t know every plant its branches sheltered—three-petaled trillium, five-fingered maidenhair, Saint-John’s-wort—by name and number?
Do you remember that day life changed? The day I noticed how earthbound roots held my world together. The day I knelt to pocket handfuls of fresh dirt mixed with lichen inside my apron as if I was exhuming buried treasure. That day I transformed childhood landscapes into paintings Picasso would call miracles.
en plein air ...
the steady thrum of bees
Years of My Youth, Come Visit Me (1969) By Maria Prymachenko*
I only learned of Maria Prymachenko’s extraordinary life and art a few months ago, after news that Russian forces had targeted a Ukrainian museum containing several dozens of the self-taught artist’s paintings. One of Ukraine’s most celebrated folk artists, Prymachenko completed hundreds of paintings that pay homage to the village life she knew and loved during her lifetime. That so many of Prymachenko’s paintings faced destruction due to Russia’s invasion of Ukraine led me to examine the significant role that she and other artists continue to play in shaping our views of the world.
holds an MFA in the translation of poetry from the University of Arkansas. A semi-finalist in Naugatuck River Review’s 13th annual Narrative Poetry Contest, she had the privilege of editing and publishing a pandemic-themed anthology, Behind the Mask: Haiku in the Time of Covid-19, through her small literary press, Singing Moon, and received a Best of the Net nomination in 2020.
Her first book of poetry, Prayer for the Dead: Collected Haibun & Tanka Prose, received a 2017 Merit Book Award from the Haiku Society of America. Recent poems appear in The Ekphrastic Review, Lindenwood Review, MockingHeart Review, and Red Earth Review, as well as in the tribute series for Lawrence Ferlinghetti, I Am Still Waiting, published by Silver Birch Press.
⚡ Le Rêve, ekphrastic haibun by Margaret Dornaus which was nominated by MacQ for the Red Moon Anthologies, and selected for publication in Contemporary Haibun 17 (Red Moon Press, 2022).