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MacQueen’s Quinterly: Knock-your-socks-off Art and Literature
Issue 13: May 2022
Cheribun: 161 words
By Charles D. Tarlton

From Where I’m Sitting

 

When you look out our living room window toward the sea, the gray sky shows in patches through now leafless trees, an oddly patterned lace all the way out to the water. If you let your gaze drop down a little, there’s the north-facing roof of Herb Thompson’s cottage with its thin layer of snow. Come even farther back and looking down, there’s a black chain-link fence around the yard and in the foreground two standard poodles (one black, the other white) are locked in mock combat, up on their hind legs like wild stallions in some 1950’s movie—My Friend Flicka or Thunderhead, Son of Flicka.

one says, “You had to be there” 
but the other one rebuts it on the fly 
“most of us had other things to do” 

there’s an old man, heavy in his suspenders 
walks along the highway every day this time 

don’t you wonder what the gulls think? 

>Charles D. Tarlton
Issue 13, May 2022

is a retired university professor of political theory who lives in Old Saybrook, Connecticut with his wife, Ann Knickerbocker (an abstract painter), and a Standard Poodle named Nikki. He is the author of three books of prosimetra published by KYSO Flash Press: Touching Fire: New and Selected Ekphrastic Prosimetra (2018), Get Up and Dance (2019), and Carmody & Blight: The Dialogues (2019).

His most recent book, Peaches and Roses: Episodes in the Navajo Degradation, was released in January 2021 by Silver Bow Publishing (New Westminster, British Columbia). He also has a poetry e-chapbook published in the 2River series, La Vida de Piedra y de Palabra: Improvisations on Pablo Neruda’s Macchu Picchu; an experimental prosimetrum in Lacuna entitled Five Episodes in the Navajo Degradation; “The Rock in a Jar,” an extended prose poem in several parts in Gone Law 32; and “The Turn of Art,” a short prosimetrical drama pitting Picasso against Matisse, in Fiction International.

Tarlton has been writing poetry and flash fiction since 2006, and his work is published in numerous literary journals and magazines: Abramelin, Atlas Poetica, Barnwood, Blackbox Manifold (UK), Blue and Yellow Dog, Book Ends Review, Clackamas Literary Review, Contemporary Haibun Online, Cricket Online Review, Dark Matter, Fiction International, Haibun Today, Ilanot Review, Inner Art Journal, Innisfree Poetry Journal, Jack Magazine, KYSO Flash, Linden Avenue Literary Journal, London Grip, MacQueen’s Quinterly, Muse India, Palette Poetry, Peacock Journal, Prune Juice, Randomly Accessed Poetics, Rattle, Red Booth Review, Red Lights, Review Americana, Ribbons, Shampoo, Shot Glass, Simply Haiku, Six Minute Magazine, Sketchbook, Skylark, Spirit Wind Gallery, Tallow Eider Quarterly, The American Aesthetic, The Ekphrastic Review, The Houston Literary Review, tinywords, Tipton, Unbroken Journal, Undertow Tanka Review, and Ink, Sweat, and Tears.

More on the Web: By, About, and Beyond

Artifact With Steam (2019) by Ann Knickerbocker, ekphrastic tanka prose in the e-collection Get Up and Dance featured in KYSO Flash (Issue 12, Summer 2019)

Featured Author Charles D. Tarlton, with six of his ekphrastic tanka prose and an interview with Jack Cooper, in KYSO Flash (Issue 6, Fall 2016)

Notes for a Theory of Tanka Prose: Ekphrasis and Abstract Art, a scholarly paper by Tarlton residing in PDF at Ray’s Web; originally published in Atlas Poetica (Number 23, pages 87-95)

Three American Civil War Photographs: Ekphrasis by Tarlton in Review Americana (Spring 2016)

Simple Tanka Prose for the Seasons, a quartet by Tarlton in Rattle (Issue 47: Tribute to Japanese Forms, Spring 2015)

 
 
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