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MacQueen’s Quinterly: Knock-your-socks-off Art and Literature
| Updated: | 01-01-2022 |
Index of Contributors: Page 2
Page 2: |
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Page 1: |
| Name of Author | Title of Work [+ genre] | Issue |
| M | [Back to Alpha Menu] | |
| Katharyn Howd Machan | Odd Numbers [poem, lineated] | 7 |
| Patience Mackarness | Seaglass [haibun] | 10 |
| Clare MacQueen | Nine Years [taiga: poem + photograph] | 4 |
| Clare MacQueen | “No Succinct Summary Will Do Them Justice” [review of A Cast-Iron Aeroplane That Can Actually Fly: Commentaries From 80 American Poets on Their Prose Poetry] | 2 |
| Clare MacQueen | Two Must-Read Books by The Queen of Ekphrasis [commentary] | 9 |
| Édouard Manet | Olympia [painting] | 2 |
| Robert I. Mann | What is between everything [flash fiction] | 7 |
| Franz Marc | Die grossen blauen Pferde (The Large Blue Horses) [painting] | 10 |
| Jill Doster Marcusse | Cheese Sampler [prose poem] | 9 |
| Jill Doster Marcusse | No Madonna [micro-CNF] | 8 |
| Betsy Mars | Cornered [poem, lineated] | 10 |
| Sarah Massey-Warren | Should I Stay or Should I Go? [essay] | 6 |
| dl mattila | Angling [haibun] | 8 |
| Joan Mazza | False Positive [poem, lineated] | 10 |
| George McDermott | Flyover [poem, lineated] | 10 |
| Kathleen McGookey | 581 Prestwick [prose poem] | 2 |
| Kathleen McGookey | Groupon, March 25, 2020: One Acre of Land on Mars: $35 $19 [prose poem] | 6 |
| Kathleen McGookey | Magnificent Error [prose poem] | 2 |
| Kathleen McGookey | The Quiet in the House [prose poem] | 6 |
| Marietta McGregor | Auld lang syne [haibun] | 6 |
| Marietta McGregor | FaceTime: Session 3 [haibun] | 3 |
| Marietta McGregor | Terror Australis [haibun] | 11 |
| Amalia Melis | January Widow [memoir] | 1 |
| Paul David Mena | [Fresh Graffiti] [micro-poem + photograph] | 4 |
| Ralph Mercer | Dialectics: Untitled 7 [photograph] | 10 |
| Todd Mercer | It’s Terribly Easy to Use Up This Precious Life [hybrid prose poem] | 11 |
| Mark Meyer | conflagration [haiga] | 10 |
| Mark Meyer | ever older [haiga: poem + painting] | 5 |
| Mark Meyer | five-and-dime theology [haibun] | 4 |
| Mark Meyer | floaters [haiga] | 10 |
| Mark Meyer | One haiku + one senryu [micro-poems, COVID-ku] | 3 |
| Mark Meyer | Seattle noir [haibun] | 10 |
| Mark Meyer | selbstporträt— [haiga: digital art + poem] | 2 |
| Mark Meyer | summer swim [haiga: poem + photograph] | 5 |
| Mark Meyer | Two Artworks: Bon Vivant and Pleiomorphic [digital pigment prints] | 2 |
| Mark Meyer | worlds within worlds [haiga] | 3 |
| Michelangelo | Four Prisoners at the Galleria dell’Accademia in Florence (Atlas Slave; Awakening Slave; Bearded Slave; and Young Slave) [sculpture] | 1 |
| John Everett Millais | Ophelia [painting] | 7 |
| Joseph Mills | Art Education [micro-fiction] | 2 |
| Joseph Mills | Testimonial [prose poem] | 2 |
| Elaine Mintzer | It Could Be Raining [prose poem] | 10 |
| Mike Moats & Gary S. Rosin |
[pack ice melts] [untitled haiga: photograph + poem] | 11 |
| Amedeo Modigliani | Reclining Nude, Head Resting on Right Arm (aka Nude on a Sofa) [painting] | 1 |
| Penelope Moffet | Bird-Bits [poem, lineated] | 8 |
| Penelope Moffet | Shelter [poem, lineated, ekphrastic] | 8 |
| Bill Mohr | EROTIC: New & Selected by Alexis Rhone Fancher [book review] | 9 |
| Bill Mohr | The Timing Chains [poem, lineated] | 10 |
| Claude Monet | En promenade près d’Argenteuil [painting] | 9 |
| Diane Lee Moomey | Flashback [poem, lineated] | 9 |
| Diane Lee Moomey | Platform Heels [poem, lineated; nonce, rhyming] | 9 |
| Lisa Marguerite Mora | Heart Map [poem, lineated] | 10 |
| Marilyn Morgan | Hoboken [micro-fiction] | 11 |
| Berthe Morisot | The Cradle [painting] | 2 |
| Berthe Morisot | Woman and Child on a Balcony [painting] | 5 |
| Michele Morris | Here’s to Life [prose poem, ekphrastic] | 11 |
| Michele Morris | Serenity Now [prose poem, ekphrastic] | 10 |
| Charlene Stegman Moskal | Curbside [prose poem] | 5 |
| Rick Mulkey | Concerning Whiskey [poem, lineated] | 1 |
| Rick Mulkey | Waking Alone After Drinking Too Much Wine in Umbria [poem, lineated] | 1 |
| Rick Mulkey | Where are you, Walt Whitman? [poem, lineated] | 1 |
| Lynn Mundell | The Shelter [micro-fiction] | 9 |
| Aurore Uwase Munyabera | Conflict Resolution [painting, alcohol ink] | 5 |
| Scott Murkin | Three Art Quilts: Crosswise II; Interstices VIII; and La Villa [textile arts] | 9 |
| Erin Murphy | Three Demi-Sonnets: Poetry 101: “Caesura”; “Haiku”; and “Slant Rhyme” [poems, lineated] | 8 |
| Erin Murphy | Three Demi-Sonnets: Taxonomies: “Churning”; “Full Disclosures”; and “Needles” [poems, lineated] | 8 |
| N | [Back to Alpha Menu] | |
| Gautam Nadkarni | Hot Couture [haibun story] | 5 |
| Nicole Nagy | Linguistic Infidelity [flash fiction] | 5 |
| Lee Nash | Polysemic crush [haibun story] | 4 |
| Paul Negri | Mysterium Magnum [flash fiction] | 3 |
| Eric Nelson | Disappearing [poem, lineated] | 10 |
| Eric Nelson | Play Ball or Sing [poem, lineated] | 10 |
| Eric Nelson | Umbrella [poem, lineated] | 10 |
| Patricia Nelson | Cyclops [poem, lineated] | 10 |
| Patricia Nelson | Arthur [poem, lineated] | 10 |
| Patricia Nelson | Morgan Remembers [poem, lineated] | 10 |
| Richard Nester | Entitled [poem, lineated, ekphrastic] | 6 |
| Richard Nester | Making Peach Cobbler [poem, lineated] | 9 |
| Robbi Nester | After Blossom [poem, lineated, ekphrastic] | 3 |
| Robbi Nester | After Kazakh Winter by Aaron Rands [poem, lineated, ekphrastic] | 6 |
| Robbi Nester | After The Large Blue Horses, Franz Marc (1911) [poem, lineated, ekphrastic] | 10 |
| Robbi Nester | Book [poem, lineated, ekphrastic] | 2 |
| Robbi Nester | Dangerous Dreams [poem, lineated, ekphrastic] | 2 |
| Robbi Nester | Death Happens: Alex Atala [poem, lineated, ekphrastic] | 9 |
| Robbi Nester | Hot [poem, lineated] | 9 |
| Robbi Nester | Inquest [poem, lineated, ekphrastic] | 11 |
| Robbi Nester | Juxtaposition [poem, lineated, ekphrastic] | 3 |
| Robbi Nester | Naughty Bits [poem, lineated] | 11 |
| Robbi Nester | On Adaptation [poem, lineated, ekphrastic] | 5 |
| Robbi Nester | On Chaos [poem, lineated] | 6 |
| Robbi Nester | Privilege [poem, lineated, ekphrastic] | 5 |
| Robbi Nester | Summer, Sheltering in Place [poem, lineated, ekphrastic] | 5 |
| Robbi Nester | Where Is Home? [poem, lineated] | 10 |
| Megan Nevels | Self-Portrait as Ancestry.com [poem, lineated] | 8 |
| O | [Back to Alpha Menu] | |
| Katherine Durham Oldmixon & Gary S. Rosin | Hey! [haiga: poem + photograph] | 10 |
| John Olson | Black Desire [micro-essay, ekphrastic] | 7 |
| John Olson | Body and Soul [prose poem] | 7 |
| John Olson | Crocodile [essay, ekphrastic, after a sculpture by Philip Hanna] | 2 |
| John Olson | Funny Shirts [prose poem] | 3 |
| John Olson | Hang on to Your Hat: A Diatribe for Four Voices (and the Sixth Mass Extinction) [prose poem] | 1 |
| John Olson | New Terms [prose poem] | 2 |
| John Olson | Running for Cover [prose poem] | 3 |
| John Olson | The Seeing Machine, Chapter XXXIII [novel excerpt, ekphrastic] | 3 |
| Naoki Onogawa | Untitled Sculptures [bonsai-like trees with leaves made from tiny paper cranes] | 10 |
| Jenine Oosthuizen | Quick or Ink? [flash fiction] | 4 |
| Simone Opdam & Gary S. Rosin |
Frozen [haiga: photograph + poem] | 10X |
| Dion O’Reilly | In Bellingham [poem, lineated] | 11 |
| Dion O’Reilly | Maybe Stories [poem, lineated] | 11 |
| Dion O’Reilly | Red Truck [poem, lineated] | 5 |
| P | [Back to Alpha Menu] | |
| Lorraine A Padden & Peter Jastermsky | Opportunity [micro-poem, split sequence] | 10 |
| Pamela Johnson Parker | It’s a Hard Art, Living [lyric memoir, ekphrastic] | 1 |
| Parmigianino | Madonna dal collo lungo (The Madonna With the Long Neck) (painting) | 10 |
| Gay Pasley | Sister Mary Frances at NAACP Walk for Peace [photograph] | 4 |
| Lynn Pattison | Burglar [prose poem] | 3 |
| Lynn Pattison | Evening in the Diner [flash fiction] | 4 |
| Lynn Pattison | Lora has been hidden in the tree trunk [prose poem] | 1 |
| Lynn Pattison | Lora no longer sees herself [prose poem] | 1 |
| Lynn Pattison | Once in a while Lora sees the strangeness [prose poem] | 1 |
| Lynn Pattison | Lora is never alone. [prose poem] | 1 |
| Lynn Pattison | Why, [prose poem] | 4 |
| Alan Peat & Gary S. Rosin |
Waymark [haiga: photograph + poem] | 11 |
| Rachael Peckham | Black Box [prose poem] | 5 |
| Rachael Peckham | Mr. Happy and the Secret Prayer Circle [flash fiction] | 5 |
| Barry Peters | Fidelity [flash fiction] | 4 |
| Barry Peters | The Michael Caine Dream [poem, lineated] | 4 |
| Linda Petrucelli | Blink [creative nonfiction] | 3 |
| Rebecca Pickens | Intervention [flash fiction] | 11 |
| LeeAnn Pickrell | Ode to Coffee [poem, lineated, ekphrastic] | 4 |
| LeeAnn Pickrell | Restricted [poem, lineated] | 4 |
| LeeAnn Pickrell | Seconds [poem, lineated] | 8 |
| Stella Pierides | And yet [haibun] | 1 |
| Stella Pierides | Felting Haiga [or, Hairballs to Haiga: The Evolution of a New Hybrid Form, “Haikufelting”] [craft essay] | 1 |
| Stella Pierides | Four Felting Haiga, aka Haikufeltings: “evening hour—”; “fiery sunset—”; “soft rains on Lesbos...”; and “worn smooth” | 1 |
| Stella Pierides | Lullaby [haibun] | 7 |
| Stella Pierides | Noir [A Triptych] [haibun story] | 2 |
| Stella Pierides | So that we remember [haibun story] | 3 |
| Meg Pokrass | Final Patient [micro-fiction] | 1 |
| Meg Pokrass | Terminal [micro-fiction] | 1 |
| Meg Pokrass & Jeff Friedman | Three Micro Stories: “The Grana Padano House of Wedgewood”; “The Not So Invisible Ex”; and “Mistaking One Cheese for Another” [micro-fiction] | 9 |
| Rena Priest | Live Nude Girl’s Favorite Thing to Feel [poem, lineated] | 7 |
| Howard Pyle | The Mermaid [painting] | 2 |
| Q | [Back to Alpha Menu] | |
| R | [Back to Alpha Menu] | |
| Carol Raisfeld | muddy roads [R] [taiga] | 3 |
| Carol Raisfeld | Three Photo-Poems | 3 |
| Carol Raisfeld | Three Senryu: “nude beach,” “gossiping,” and “anger management” | 3 |
| Suzanne S. Rancourt | Symbiosis [poem, lineated] | 5 |
| Suzanne S. Rancourt | we wanted the war to be over [prose poem] | 5 |
| Bill Ratner | Quarantine Ride [prose poem] | 5 |
| Somak Raychaudhury | Eclipse Under the Bamboo [photograph] | 6 |
| Niles Reddick | Hayride [micro-fiction] | 7 |
| Niles Reddick | Licking the Beaters [micro-fiction] | 7 |
| Odilon Redon | Partout des Prunelles Flamboient (Everywhere Eyeballs Are Blazing) [drawing, lithograph] | 10 |
| Brian T. Rex | St. John’s Abbey [photograph]; collaboration, with ekphrastic poem by Christine Stewart-Nuñez | 7 |
| Brian T. Rex | Main Avenue to Court House [laser scan]; collaboration, with ekphrastic poem by Christine Stewart-Nuñez | 7 |
| Robert Rhodes | Quarantine, From the Garden Window [painting] | 5 |
| Alexis Rhone Fancher | Below our bedroom window [prose poem, erotic] | 8 |
| Alexis Rhone Fancher | Bumpy Night [photograph] | 7 |
| Alexis Rhone Fancher | Double-Timed at the Nickel Diner [micro-fiction, erotic + photograph] | 5 |
| Alexis Rhone Fancher | Early Riser [photograph] | 1 |
| Alexis Rhone Fancher | He Never Saw His Real Daughter Until That Night [micro-fiction + photograph] | 7 |
| Alexis Rhone Fancher | Late Laura [micro-fiction] | 7 |
| Alexis Rhone Fancher | Mother’s Day [photo-poem] | 3 |
| Alexis Rhone Fancher | Ode to My Husband’s Heart [poem, lineated] | 11 |
| Alexis Rhone Fancher | Sunrise, San Pedro (7 January 2020) [photograph] | 3 |
| Alexis Rhone Fancher & Ellaraine Lockie | Sky Spoof [photo-poem] | 3 |
| David C. Rice | Lost Bird: Reward [tanka prose] | 2 |
| David C. Rice | Next Court Date in Six Months [tanka tale] | 7 |
| Bryan Rickert & Hemapriya Chellappan | One Last Look [micro-poem, rengay] | 10 |
| Bryan Rickert & Kat Lehmann | Lehmann’s Auto Enterprises [micro-poem, split sequence] | 10 |
| Kevin Ridgeway | Freedom’s Just Another Word for Nothing Left to Lose [poem, lineated] | 3 |
| Kevin Ridgeway | Old Time Religion [poem, lineated] | 1 |
| Kevin Ridgeway | So Proud to Live, So Proud to Die [poem, lineated] | 8 |
| Kevin Ridgeway | When I Grew Tall Enough to See Behind My Father’s Eyes [poem, lineated] | 1 |
| Brian Rihlmann | Laughing at Shadows [poem, lineated] | 9 |
| Brian Rihlmann | This Heavy Hollow [poem, lineated] | 9 |
| Brian Rihlmann | Two Poems: “An Extra Breath” and “Things I’ll Remember” [poems, lineated] | 9 |
| Andrew Riutta | A Copper Country Romance [haibun] | 2 |
| Andrew Riutta | coronavirus— [micro-poem, COVID-ku] | 3 |
| Andrew Riutta | Health Expo [haibun] | 3 |
| Andrew Riutta | Life Out of Balance [haibun] | 4 |
| Andrew Riutta | Lost and Found [haibun] | 2 |
| Andrew Riutta | Prayer [haibun] | 4 |
| Andrew Riutta | The Upper Peninsula of Michigan [haibun] | 4 |
| Janet McMillan Rives | In the Dead of Winter 1944 [poem, lineated] + World War II Ration Books [photograph] | 11 |
| Janet McMillan Rives | Two Linked Works: “On Spring Hill” [lyrical memoir] and “Reynolds School” [micro-poem] | 11 |
| Auguste Rodin | The Old Courtesan [sculpture, bronze] | 9 |
| Auguste Rodin | The Sculptor and His Muse [sculpture, bronze] | 9 |
| Mary Rohrer-Dann | After Sarajevo [flash fiction] | 3 |
| Mary Rohrer-Dann | Elegy for Houses [creative nonfiction] | 3 |
| Brad Rose | Gold Doubloons [prose poem] | 3 |
| Brad Rose | Keeping an Eye on You [prose poem] | 3 |
| Kimmo Rosenthal | Monet and Combray [essay, ekphrastic] | 9 |
| Kimmo Rosenthal | Olympia: Thoughts on a Courtesan in Eight Chapters [CNF, ekphrastic] | 2 |
| Robin Rosenthal | Five Oil Paintings: Avocado Gondolas, Bag on Paper, Egg on Blue Plate, Red High Heels, and White Stacked Cups | 3 |
| Gary S. Rosin | A Medley of Seven Poetic Works [haiga, haiku, kyoka, and senryu] | 7 |
| Gary S. Rosin | [bridge] [haiku, ekphrastic] | 8 |
| Gary S. Rosin | Butterfly Iris No. 2 [photograph + poem] | 7 |
| Gary S. Rosin | Cemetery and Moon [micro-poem, cherita, ekphrastic] | 9 |
| Gary S. Rosin | [Chickadee] [haiku, ekphrastic] | 10X |
| Gary S. Rosin | Control Tower [micro-poem, ekphrastic] | 9 |
| Gary S. Rosin | Cracks on Ice [poem, lineated, ekphrastic] | 1 |
| Gary S. Rosin | Designated Driver [cheribun] | 11 |
| Gary S. Rosin | [Eclipse] [haiku, ekphrastic] | 6 |
| Gary S. Rosin | Emergence [poem, lineated + photograph] | 7 |
| Gary S. Rosin | [empty] [haiku, ekphrastic] | 8 |
| Gary S. Rosin | Ex-Nihil? [poem, lineated, ekphrastic] | 1 |
| Gary S. Rosin | Fields of Fire [poem, lineated] | 4 |
| Gary S. Rosin | Kinetic Pointillism [micro-poem, ekphrastic] | 7 |
| Gary S. Rosin | [Lights] [micro-poem, ekphrastic] | 10X |
| Gary S. Rosin | [origami cranes] [micro-poem, haiku, ekphrastic] | 10 |
| Gary S. Rosin | Out of Service [micro-poem, inverted cherita, ekphrastic] | 11 |
| Gary S. Rosin | Primordial [micro-poem, cherita, ekphrastic] | 8 |
| Gary S. Rosin | Raven [poem, lineated, ekphrastic + photograph] | 7 |
| Gary S. Rosin | Stare Down [poem, lineated, ekphrastic] | 6 |
| Gary S. Rosin | Summer Solstice [micro-poem, cherita] | 9 |
| Gary S. Rosin | Suspension [poem, lineated, ekphrastic] | 10 |
| Gary S. Rosin | The Burning Dandelion [micro-poem, cherita, ekphrastic] | 9 |
| Gary S. Rosin | The Glory of the Gods [poem, lineated, ekphrastic] | 6 |
| Gary S. Rosin | The Lonely Funeral [poem, lineated] | 11 |
| Gary S. Rosin | Three Micro-Poems: “whispers in the air” [haiku, ekphrastic]; “a tropical wave” [tanka]; and “trapped in the night” [senryu] | 10 |
| Gary S. Rosin | Two Micro-Poems: “I-ku” [senryu] and “[the Milky Way]” [untitled senryu, ekphrastic] | 11 |
| Gary S. Rosin | Welcome to Minnesota [haibun] | 6 |
| Gary S. Rosin & George Digalakis |
Caught while escaping [haiga: poem + photograph] | 4 |
| Gary S. Rosin & George Digalakis |
Don Quixote on the Shore [chaiga: cherita (inverted) + photograph] | 5 |
| Gary S. Rosin & George Digalakis |
Untitled [crows] [haiga: poem + photograph] | 8 |
| Gary S. Rosin & George Digalakis |
Out of the Haze [haiga: poem + photograph] | 8 |
| Gary S. Rosin & George Digalakis |
Waiting [haiga: poem + photograph] | 10X |
| Gary S. Rosin & Lucas Dumrauf |
Empty chair, bare tree [haiga: poem + photograph] | 4 |
| Gary S. Rosin & Grace Evans |
Star Trails [haiga: poem + photograph] | 2 |
| Gary S. Rosin & Neil Hulme | Waiting for the Future [photo-poem] | 3 |
| Gary S. Rosin & Richard Hunter | Somewhere between [photo-poem] | 1 |
| Gary S. Rosin & Mike Moats |
[pack ice melts] [untitled haiga: poem + photograph] | 11 |
| Gary S. Rosin & Katherine Durham Oldmixon | Hey! [haiga: poem + photograph] | 10 |
| Gary S. Rosin & Simone Opdam |
Frozen [haiga: poem + photograph] | 10X |
| Gary S. Rosin & Alan Peat |
Waymark [haiga: poem + photograph] | 11 |
| Gary S. Rosin & Jana Craighead Smith | Untitled [haiga: poem + photograph] | 9 |
| Jan S. Rosin | Quilting: A Form of Meditation [photo essay with fabric art] | 7 |
| Phyllis Ross & Ellaraine Lockie | Pollage Number 92 [haiga hybrid: collage of watercolor and embroidery + poem and handmade paper] | 1 |
| Taylor Rossics | Harass the Florist [micro-fiction] | 2 |
| Alexis Rotella | A Medley of Seven Poetic Works [haiga, kyoka, senryu] | 7 |
| Alexis Rotella | A Stranger Here [haibun] | 3 |
| Alexis Rotella | Another Morning [haibun] | 7 |
| Alexis Rotella | The Good Neighbor [poem, lineated] | 7 |
| Alexis Rotella | Three Artworks: Home alone [haiga]; Posing [haiga]; and Neena [digital art] | 1 |
| Alexis Rotella | Two senryu [micro-poems, COVID-ku] | 3 |
| Alexis Rotella | White Wash [haibun] | 1 |
| Henri Rousseau | Le Rêve [painting] | 9 |
| Robert Eugene Rubino | Giving Thanks to Your Trash Collectors [poem, lineated] | 8 |
| Robert Eugene Rubino | Nixon’s the One [poem, lineated] | 2 |
| Robert Eugene Rubino | Nor Was He The Marlboro Man [poem, lineated] | 10 |
| Robert Eugene Rubino | Uncool Kid [poem, lineated] | 2 |
| Robert Eugene Rubino | Wallflowers of the World, Unite! [poem, lineated] | 11 |
| C.C. Russell | Field Trip [micro-nonfiction] | 8 |
| C.C. Russell | The Sound, the Message [micro-fiction] | 2 |
| Dave Russo | Land of Little Sticks [micro-poem, haiku sequence] | 10 |
| Dave Russo | Music Festival, Natural Chimneys Park [poem, lineated, haikai sequence] | 10 |
| Dave Russo | Song for My Father: 1 [poem, lineated] | 10 |
| Mark Russo | You Should Know... [micro-fiction] | 11 |
| S | [Back to Alpha Menu] | |
| Robert Sachs | The Watch [flash fiction] | 6 |
| Linda Saldaña | Mental Distancing in the Time of Quink [flash fiction] | 4 |
| Linda Saldaña | One Winter Night [flash fiction] | 8 |
| Linda Saldaña | The Wobble [micro-fiction] | 5 |
| Kelly R. Samuels | Waiting for Tiangong-1’s Reentry [prose poem] | 5 |
| Lauren Scharhag | Hair Work [poem, lineated, ekphrastic] | 6 |
| Karen Schauber | Final Entries [micro-fiction] | 11 |
| Steven Schroeder | a gift of fire: speaking in tongues [painting] | 1 |
| Steven Schroeder | all that is solid melts into air [painting] | 1 |
| Steven Schroeder | event horizon 2 [painting] | 1 |
| Steven Schroeder | from what I’ve tasted of desire [painting] | 1 |
| Steven Schroeder | the arc between two deaths 5 [painting] | 1 |
| Robert Scotellaro | Squirm [flash fiction] | 8 |
| Daryl Scroggins | At the Center of the Universe [micro-fiction] | 6 |
| Daryl Scroggins | Daddy’s Calling [prose poem] | 6 |
| Daryl Scroggins | Face of the Deep [prose poem] | 3 |
| Daryl Scroggins | Giving Up Control [micro-CNF] | 6 |
| Daryl Scroggins | Knocking [prose poem] | 8 |
| Daryl Scroggins | Nesting Patterns [prose poem] | 4 |
| Daryl Scroggins | No Signal [micro-fiction] | 8 |
| Daryl Scroggins | Old Money Takes a Hit [micro-fiction + Author’s Note] | 6 |
| Daryl Scroggins | Range Safety [micro-fiction] | 8 |
| Daryl Scroggins | Returns [micro-fiction] | 8 |
| Daryl Scroggins | Spiritus Mundi [micro-fiction] | 8 |
| Daryl Scroggins | The Lexiconic Labyrinth of Millicent Greaves [flash fiction] | 4 |
| Daryl Scroggins | Units of Measure [micro-fiction] | 6 |
| Daryl Scroggins | Writer Boy [micro-fiction] | 4 |
| Patricia L. Scruggs | The Sun a Pale Circle [poem, lineated] | 10X |
| Poesy Sestina | It’s Now or Never [haiga with haibun (prose poem + senryu) and LivePhoto image] | 11 |
| Martin Settle | Two Micro-Poems: “smooth stream” and “the sun is up” [haiku] | 7 |
| Tiffany Shaw-Diaz | Six Works: Poems & Photographs | 4 |
| Tiffany Shaw-Diaz | Two Watercolors [visual art] | 4 |
| John Shea | The God-Fearing Man [flash fiction] | 5 |
| Cindy L. Sheppard | [A Thousand Candles]: Low Country Christmas, Ode to Joy, and Winter’s Dragon [photographs] | 6 |
| Cindy L. Sheppard | [Geothermal] [photographs] | 4 |
| Cindy L. Sheppard | The Chains That Free Us [photograph] | 7 |
| Kayann Short | Chemo Chat [CNF] | 11 |
| Lisa Shulman | Nero Tells All [poem, lineated] | 1 |
| Lisa Shulman | Where Were You Last Night? [micro-fiction] | 1 |
| Tova Hinda Siegel | Beyond the Kaleidoscope [prose poem] | 2 |
| Tova Hinda Siegel | Sunday’s Circle [poem, lineated] | 2 |
| Kathryn Silver-Hajo | A Changed Man [micro-fiction] | 10 |
| Kathryn Silver-Hajo | Aurora [flash fiction] | 11 |
| Kathryn Silver-Hajo | Owl Eyes [micro-fiction, six-sentence story] | 10 |
| Kathryn Silver-Hajo | She-Wolf [flash fiction] | 11 |
| Douglas P. Sjoquist | Graveyard [micro-poem] | 4 |
| Amy Small-McKinney | This Is Being Alive [cheribun] | 11 |
| Jana Craighead Smith & Gary S. Rosin | Untitled [haiga, with haiku by Rosin and photograph of Mallard by Smith] | 9 |
| John Warner Smith | Darron Glass [poem, lineated] | 11 |
| John Warner Smith | Face [poem, lineated] | 11 |
| John Warner Smith | Memorial Drive [poem, lineated] | 11 |
| Virginia A. Smith | No Country for Young Lawyers [poem, lineated] | 11 |
| Virginia A. Smith | The Idea of Order in South Jersey [poem, lineated] | 11 |
| Virginia A. Smith | Treatment Aria [poem, lineated] | 10 |
| Barton Smock | [A Quintet of Poems]: “Drawings”; “Beginning Ache”; “Lit Ache”; “Stem Ache”; and “Tame Ache” | 2 |
| Garrett Stack | A Friend From School [flash fiction] | 8 |
| Andrew Stancek | Entomology [micro-fiction] | 11 |
| John L. Stanizzi | When I Get to Heaven [poem, lineated] | 3 |
| Skaidrite Stelzer | Holding On [poem, lineated] | 2 |
| Meghan Sterling | Cyclops [poem, lineated, ekphrastic] | 6 |
| Christine Stewart-Nuñez | Elemental Lesson [poem, lineated, ekphrastic]; collaboration, with visual art by Brian T. Rex | 7 |
| Christine Stewart-Nuñez | Site Planning [poem, lineated, ekphrastic]; collaboration, with visual art by Pauline Aitken | 7 |
| Christine Stewart-Nuñez | Summer of Smoke [ghazal]; collaboration, with visual art by Brian T. Rex | 7 |
| Brett Stout | Three Digital Artworks: 18 Gauge de Stijl; The Downfall of Miami and Us; and Hood Rat Keys to the City | 1 |
| Brett Stout | Three Mixed-Media Paintings: The Remission of Guillotines and Chemical Formulas; From ’Nam to Nowhere; and Untitled Abstract | 1 |
| Marianne Szlyk | Respite in the City of Fog [poem, lineated, ekphrastic] | 9 |
| T | [Back to Alpha Menu] | |
| Renée Jessica Tan | Thumb [flash fiction] | 11 |
| Charles D. Tarlton | Ask the Wind [tanka prose] | 9 |
| Charles D. Tarlton | Chestnut Trees in Blossom [prose poem, ekphrastic] | 9 |
| Charles D. Tarlton | Crane by Ann Knickerbocker [tanka prose, ekphrastic] | 5 |
| Charles D. Tarlton | Edging Along the Sand [poem, lineated] | 11 |
| Charles D. Tarlton | Edmonia Lewis: The Death of Cleopatra [tanka prose, ekphrastic] | 4 |
| Charles D. Tarlton | Gertrude Stein in Oil [ekphrastic prosimetra] | 7 |
| Charles D. Tarlton | Girl With Seagulls, Trouville [tanka prose, ekphrastic] | 5 |
| Charles D. Tarlton | Harvest Time [micro-fiction] | 9 |
| Charles D. Tarlton | It Looks Like Manet to Me [tanka prose, ekphrastic] | 3 |
| Charles D. Tarlton | Marsh [prose poem] | 4 |
| Charles D. Tarlton | Michelangelo’s Prisoners at the Galleria dell’Accademia in Florence: Untutored Reflections [tanka prose, ekphrastic] | 1 |
| Charles D. Tarlton | Ornithology [poem, lineated] | 3 |
| Charles D. Tarlton | Second Cousin Nikki, a Carmody & Blight Dialogue [tanka prose] | 1 |
| Charles D. Tarlton | Spanish Chestnuts [tanka prose] | 7 |
| Charles D. Tarlton | Suzanne Valadon’s The Bath [tanka prose, ekphrastic] | 11 |
| Charles D. Tarlton | The Falconer’s Glove [ekphrastic prosimetra] | 7 |
| Charles D. Tarlton | Three Entangled Abstracts by Ann Knickerbocker [prosimetra, ekphrastic] | 8 |
| Charles D. Tarlton | Two Prose Poems: “#18 [Diffuse]” and “#8 [Fish Crows]” | 9 |
| Charles D. Tarlton | Two Reflections From The Sublime and the Beautiful [tanka prose] | 9 |
| Charles D. Tarlton | Weight as Such [tanka prose] | 1 |
| Charles D. Tarlton | Weltanschauung [poem, lineated] | 4 |
| John Tarlton | Testing the Hypothesis [mixed-media painting] | 7 |
| Jess D. Taylor | Above Water [micro-fiction] | 2 |
| Elaine Terranova | Angel, Sleep [prose poem] | 11 |
| Elaine Terranova | Before the Trip [prose poem] | 11 |
| Rina Terry | Playing My Blue Guitar [poem, lineated] | 4 |
| Judith Terzi | Fire Season 2020 [poem, lineated] | 10 |
| Mary Hannah Terzino | Cats in the Time of Covid [flash fiction] | 5 |
| Mary Hannah Terzino | Dodge [micro-fiction] | 3 |
| Mary Hannah Terzino | Nunworld [flash fiction] | 3 |
| Mary Hannah Terzino | Ready Taxi [flash fiction] | 5 |
| Mary Hannah Terzino | The Bernese [flash fiction] | 11 |
| Mary Hannah Terzino | The Duet [flash fiction] | 11 |
| Diane Thiel | Counting Two [poem, lineated] | 9 |
| Diane Thiel | Quilt [poem, lineated] | 9 |
| Diane Thiel | Three Seasons [poem, lineated] | 9 |
| Kathleen Thomas | Autumn Arpeggios [flash fiction] | 10 |
| Sarah Tinsley | Now You Don’t See Me [prose poem] | 3 |
| Jordan Trethewey | [Seven Questions About Process: An Interview With Lorette C. Luzajic] [nonfiction] | 2 |
| Laynie Tzena | Spot [micro-fiction] | 2 |
| U | [Back to Alpha Menu] | |
| V | [Back to Alpha Menu] | |
| Anne Vallayer-Coster | White Soup Bowl [painting] | 1 |
| Vincent van Gogh | Chestnut Trees in Blossom [painting] | 9 |
| Vincent van Gogh | The Starry Night [painting] | 1 |
| Christine L. Villa | Instant Chemistry [painting] + “just when I thought” [micro-poem: cherita] | 5 |
| Christine L. Villa | Morning Muse [painting] + “to find” [micro-poem: cherita] | 5 |
| Christine L. Villa & Hemapriya Chellappan | On the Brink [micro-poem, split sequence] | 9 |
| Christine L. Villa & Tom Clausen | Ancient Call [micro-poem, split sequence] | 10 |
| Christine L. Villa & Peter Jastermsky | Inheritance [micro-poem, split sequence] | 9 |
| W | [Back to Alpha Menu] | |
| Andrew Waddington | Raven [woodblock print] | 9 |
| Nicole Walker | Microbiotics [micro-essay] | 10 |
| Nicole Walker | Microtopography [micro-essay] | 8 |
| Alice Wanderer | Fossil Beach [haibun] | 10 |
| Alice Wanderer | Ripples in a Mirror [haibun] | 11 |
| Alice Wanderer | Sacred Space [haibun] | 10 |
| Marilyn Ward | Two senryu [micro-poems, COVID-ku] | 3 |
| Bill Waters | Swimming to Byzantium: A Parody [poem, lineated, ekphrastic] | 8 |
| Stuart Watson | Anything for You [micro-fiction] | 11 |
| Lew Watts | Anathema [haibun] | 11 |
| Lew Watts | Cruising Downtown Santa Fe [haibun] | 6 |
| Lew Watts | Ghost Ranch [haibun] | 5 |
| Lew Watts | Holeh Holeh Holeh [haibun story] | 1 |
| Lew Watts | Temples of Gods [haibun story] | 5 |
| Lew Watts | The Magic Boomerang [haibun, lineated] | 1 |
| Lew Watts | They say I have my mother’s eyes [haibun] | 7 |
| Karen Forstad Weiderman | Five Quilts: Around the Block; Blue Waters—Maine to Maui; Kayaking on Knickerbocker Lake; Maine—The Way Life Should Be; and Multiplying Hexagons [textile arts] | 8 |
| Julie Weiss | The Day I Don’t Tell My Children About the Capitol Attack [poem, lineated] | 7 |
| Julie Weiss | The Elephant in the Room [poem, lineated] | 7 |
| Anne Marie Wells | Clam Chowder [prose poem] | 11 |
| Marianne von Werefkin | Women in Black [painting] | 8 |
| Stan Lee Werlin | Pitcher [flash fiction] | 10 |
| Harriot West | Things I’ll Never Tell You [haibun] | 8 |
| Julie Whitehead | The Zen Masters [flash fiction] | 2 |
| Tony Steven Williams | Post inferno [haibun] | 1 |
| Kath Abela Wilson | greeny flower [cheribun] | 11 |
| David Wimble | Sea Cliff Bridge [photograph] | 8 |
| Paul-Victor Winters | Steamer Duck in the Garden of Eden [prose poem] | 3 |
| Paul-Victor Winters | Untitled (2019) [prose poem] | 1 |
| Paul-Victor Winters | Untitled (Lucidity) [prose poem] | 1 |
| Paul-Victor Winters | Untitled (Significance) [prose poem] | 1 |
| Francine Witte | Not again [micro-fiction] | 6 |
| Francine Witte | Perfect [micro-fiction] | 10 |
| Francine Witte | Trophy [micro-fiction] | 6 |
| Francine Witte | Wolf [micro-fiction] | 2 |
| Lily Lavender Wolf | change [prose poem] | 3 |
| Lily Lavender Wolf | gemstone love [poem, lineated] | 3 |
| Rebekah Wolman | Our Years With the Latvians [nonfiction] | 11 |
| Ann Leshy Wood | Cloud Confetti [photograph] | 11 |
| Lorna Wood | Lion’s Tooth [poem, lineated] | 6 |
| Keith Woodruff | Junk Drawer [prose poem] | 3 |
| Keith Woodruff | Letter to Wordsworth [prose poem] | 3 |
| Keith Woodruff | The Shore: On Reading Saigyo’s Poems of a Mountain Home [prose poem] | 3 |
| Alison Woolpert | Title VII [haibun] | 8 |
| X | [Back to Alpha Menu] | |
| Y | [Back to Alpha Menu] | |
| Brian Yapko | The Man Who Floated [poem, lineated] | 11 |
| Cynthia Yatchman | Four Paintings, Mixed-Media: Entropy 3, Lambda, Landscape 5, and [Untitled Shorescape] | 6 |
| Jeanne Yeasting | Dear Berthe [prose poem, ekphrastic] | 2 |
| Jeanne Yeasting | Discriminating Distinction [prose poem] | 2 |
| Jeanne Yeasting | From Today I Banish (Paris, 1860s) [poem, lineated, ekphrastic] | 2 |
| Rich Youmans | Living Color [haibun story] | 6 |
| Rich Youmans | Redline [haibun story] | 6 |
| Rich Youmans | Through the Looking Glass [haibun story] | 9 |
| Jonathan Yungkans | Anacapa Island [poem, lineated] | 6 |
| Jonathan Yungkans | Cadralor for Rachael [poem: cadralor] | 8 |
| Jonathan Yungkans | Four Cherita: “I stopped remembering...”; “Wind spins...”; “Crows perched...”; and “steel rails hum” [micro-poems] + Poet’s Commentary | 9 |
| Jonathan Yungkans | La Porte [poem, lineated, ekphrastic] | 10X |
| Jonathan Yungkans | La Victoire [poem, lineated, ekphrastic] | 11 |
| Jonathan Yungkans | Landmark’s Nuart Theater [photograph] | 8 |
| Jonathan Yungkans | Le fils de l’homme [poem, lineated, ekphrastic] | 11 |
| Jonathan Yungkans | Le Grand Matin [poem, lineated, ekphrastic] | 11 |
| Jonathan Yungkans | Morro Bay [poem, cadralor] | 6 |
| Jonathan Yungkans | Rincon Point, Six A.M. [poem, lineated] | 7 |
| Jonathan Yungkans | The Thin, Terrifying Edges Between Things [poem, lineated] | 7 |
| Jonathan Yungkans | Three Book-Spine Poems: “oblivion banjo”; “Eventually One Dreams the Real Thing”; and “Visible Signs” [+ photos] | 9 |
| Jonathan Yungkans | Three B&W Photographs: At the Edge of Myself #2; Clouds and Downtown Los Angeles Skyline; and Morning Raven [visual art] | 9 |
| Jonathan Yungkans | Two Cherita: “leaving the doctor” and “the best part of waking up” [micro-poems] | 8 |
| Jonathan Yungkans | Two Duplex Poems: “Like Some Pocket History of the World, So General” and “The Old Man Looks Strangely at the Sea” [poems, lineated, duplex] | 10 |
| Jonathan Yungkans | Variation on the 91st Psalm [poem, lineated] | 10 |
| Jonathan Yungkans | Where Everything Gets Unraveled Just Right [poem, lineated, duplex] | 10 |
| Jonathan Yungkans | Women in Black [poem, lineated, ekphrastic] | 8 |
| Jonathan Yungkans | Woodcuts [poem, lineated, ekphrastic] | 9 |
| Z | [Back to Alpha Menu] | |
| Aggie Zed | Ceramic Sculptures [sculpture] | 3 |
| Aggie Zed | Magician (2001) [ceramic sculpture] | 3 |
| Aggie Zed | “What did those Magamen want?” [digital art] | 3 |
| William Zote | Three Haiga: autumn wind [haiku + watercolor]; oldies FM [haiku + hand-sketch with real flower petals]; and terrace garden [haiku + photograph with pencil and chalk art] | 8 |
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