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MacQueen’s Quinterly: Knock-your-socks-off Art and Literature
| Updated: | 18 Sept. 2022 |
Index of Contributors
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| Name of Author | Title of Work + [genre] | Issue |
| Paul Ilechko | Bridges [poem] | 10 |
| Paul Ilechko | Long Migration [poem] | 14 |
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| Name of Author | Title of Work + [genre] | Issue |
| Gerry Jacobson | The Isolation [tanka prose] | 3 |
| Doug Jacquier | Angus, 10, Finds Love [microfiction] | 12 |
| David Jaggard | You Might as Well Just Get Down on Your Hands and Knees and Lick the Sidewalk [flash fiction] | 8 |
| Peter Jastermsky | A Desert Year [poem] | 9 |
| Peter Jastermsky | [black holes] [poem: monoku-cherita dyad] | 12 |
| Peter Jastermsky | Dearest One [haibun story] | 2 |
| Peter Jastermsky | Drifting Snow [haibun] | 1 |
| Peter Jastermsky | Eavesdroppings [prose poem] | 15 |
| Peter Jastermsky | Fishboy [cheribun] | 12 |
| Peter Jastermsky | Highlights [prose poem] | 15 |
| Peter Jastermsky | Legacies [haibun] | 10 |
| Peter Jastermsky | Love Thing [micro-poem: split sequence] | 9 |
| Peter Jastermsky | “Love Thing”: The Allure of the Split Sequence [craft essay] | 9 |
| Peter Jastermsky | On the Runway [cheribun] | 11 |
| Peter Jastermsky | Pathways [cheribun] | 11 |
| Peter Jastermsky | Reservations [prose poem] | 15 |
| Peter Jastermsky | Scuttlebutt [prose poem] | 12 |
| Peter Jastermsky | Solid, Not Solid [cheribun] | 12 |
| Peter Jastermsky | The Thrifter [haibun] | 4 |
| Peter Jastermsky | This Week’s Special [haibun] | 3 |
| Peter Jastermsky | Thought Trains [haibun] | 4 |
| Peter Jastermsky | Three Micro-Poems: “all the miles” [cherita], “canyon fault lines” [senryu], and “desert crossroads” [senryu] | 1 |
| Peter Jastermsky | Tipping Points [haibun] | 2 |
| Peter Jastermsky | Two Haibun (“Bodie” and “What’s Left Behind”) [haibun] | 15 |
| Peter Jastermsky | Two Micro-Haibun: “Boneyard” and “Size Wise” [haibun] | 14 |
| Peter Jastermsky | Two Micro-Poems: “morning lizard” [senryu], and “counting my blessings” [cherita] | 3 |
| Peter Jastermsky | Two senryu [micro-poems: COVID-ku] | 3 |
| Peter Jastermsky & Lorraine A Padden | Opportunity [micro-poem: split sequence] | 10 |
| Peter Jastermsky & Christine L. Villa | Inheritance [micro-poem: split sequence] | 9 |
| Maggie Jaszczak | untitled hand fan [sculpture] | 2 |
| William J. Jefferson | College and Cotton [poem] | 11 |
| William J. Jefferson | Depends [poem] | 12 |
| Arya F. Jenkins | A Dog Is a Dog Is a Dog [flash fiction] | 2 |
| Arya F. Jenkins | Days Like This [flash fiction] | 2 |
| Kelly Jensen | Holding Quinks [prose poem] | 4 |
| Kelly Jensen | Pandemic Wine [haibun] | 7 |
| Kendall Johnson | Dear Vincent: A Psychologist Turned Artist Writes Back to Van Gogh, three excerpts: [Contrasts]; [Fishing Boats]; and [Bloom] [epistolary, ekphrastic] | 14 |
| Kendall Johnson | “Dear Vincent” letter (July 2022): On the Occasion of Your Latest Reveal [epistolary, ekphrastic] | 14 |
| Kendall Johnson | Epistles to Dalí II [haibun, ekphrastic] | 14 |
| Kendall Johnson | Linking Sacred Moments: Unlocking the Novella-in-Flash by Michael Loveday [book review] | 14 |
| Kendall Johnson | Out of the Desert [cheribun], with one of his abstract paintings (Image M-26) | 15 |
| Kendall Johnson | Utah [cheribun] | 14 |
| Peter Johnson | Anniversary [microfiction] | 1 |
| Peter Johnson | Snails [prose poem] | 1 |
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| Name of Author | Title of Work + [genre] | Issue |
| Arvinder Kaur | One senryu + one haiku [micro-poems: COVID-ku] | 3 |
| Teo Kefalopoulos | Untitled [snapshot of Paulo Ernesto Silva holding Teo’s framed photograph Lost in Nothingness] | 1 |
| Adele Kenny | Just Perhaps [R] [prose poem, ekphrastic] | 7 |
| Adele Kenny | December in the Trees [haibun] | 6 |
| Adele Kenny | Then and What Happened [prose poem] | 6 |
| Brendon Kent | One tanka [micro-poem: COVID-ku] | 3 |
| Elizabeth Kerlikowske | At Tabor Hill [microfiction] | 9 |
| Elizabeth Kerlikowske | Elegy: Class Trip [microfiction] | 1 | Elizabeth Kerlikowske | February [poem] | 11 |
| Elizabeth Kerlikowske | Fully Interlocking [prose poem] | 5 | Elizabeth Kerlikowske | Goodwill and the Renaissance [microfiction] | 11 | Elizabeth Kerlikowske | If my grandfather walked toward me with two arms, I wouldn’t recognize him [micro-CNF] | 11 |
| Elizabeth Kerlikowske | Into the Oak [prose poem] | 9 |
| Elizabeth Kerlikowske | Step-kids [prose poem] | 1 |
| Elizabeth Kerlikowske | Ten Slices of Pandemic [poem] | 5 |
| Elizabeth Kerlikowske | The Logical Thing [prose poem] | 5 |
| Elizabeth Kerlikowske | The Pilot [microfiction] | 12 |
| Elizabeth Kerlikowske | Trail Crew [prose poem, ekphrastic] | 7 |
| Elizabeth Kerlikowske | Tribute to Mary Hatch [prose poem] | 9 |
| Chuck Kimmerle | Rainbow and Dead Tree [photograph], with poem by Gary S. Rosin | 15 |
| Susan King | Two senryu [micro-poems: COVID-ku] | 3 |
| Maureen Kingston | Catfishing [prose poem] | 3 |
| Maureen Kingston | Cloudy With a Chance of Torture [prose poem] | 14 |
| Maureen Kingston | Folly [prose poem] | 2 |
| Maureen Kingston | Scriptura Continua [haibun story] | 2 |
| Maureen Kingston | Solitary Genius [haibun, ekphrastic] | 14 |
| Emilee Kinney | The muck ditch [prose poem] | 10 |
| Paul Klee | The Twittering Machine [painting] | 8 |
| Arthur Klepchukov | afterglow [microfiction] | 6 |
| Arthur Klepchukov | Dialing Islands [flash fiction] | 6 |
| Gustav Klimt | The Tree of Life, Stoclet Frieze [painting] | 1 |
| Ann Knickerbocker | Crane [painting, mixed-media] | 5 |
| Ann Knickerbocker | Three Artworks: les Peupleraies (2018) [digital art: asemic writing with photograph]; Saintish (1995) [collage, mixed-media]; and The Ample Rhine (2016) [painting, mixed-media] | 7 |
| Ann Knickerbocker | Three Entangled Abstracts: Fellini Goes to Fanore, Ireland (2018), Driving Through the Black Forest (2018), and A Bouquet for Manet (2017) [paintings, mixed-media] | 8 |
| Ann Knickerbocker | Thursday Night Thunderstorm [painting, mixed-media] | 3 |
| Jozie Konczal | The First Sense [prose poem] | 13 |
| Norbert Kovacs | Winter Field [microfiction] | 14 |
| Judy Kronenfeld | Animal Knowledge [poem] | 14 |
| Judy Kronenfeld | Brief Impromptu Meditation [poem] | 11 |
| Judy Kronenfeld | Final Dissolve by Aquamation [poem] | 8 |
| Michel Steven Krug | Drape [poem] | 11 |
| Arkhip Ivanovich Kuindzhi | After the Rain [painting] | 5 |
| Kathryn Kulpa | Five Things I Remember from the Anthropocene Age [flash fiction] | 14 |
| Kathryn Kulpa | Halo [microfiction] | 1 |
| Kathryn Kulpa | Oregon Trail [microfiction] | 14 |
| Kathryn Kulpa | Slip [flash fiction] | 4 |
| Kathryn Kulpa | War Bride [microfiction] | 4 |
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| Name of Author | Title of Work + [genre] | Issue |
| Yahia Lababidi | For George Floyd [poem] | 4 |
| Yahia Lababidi | [Selected Aphorisms] [nonfiction] | 4 |
| Yahia Lababidi | Your Love [micro-poem] | 4 |
| J.R. Lancaster | Reclining Nude on Sofa: Tribute to Amedeo Modigliani [painting: mixed-media figurative + artist’s commentary] | 1 |
| Madeleine Lascelle | Joe Tuesday [flash fiction] | 3 |
| Craig Latker | A female Western giant echneumon (Megarhyssa nortoni) [illustration, pen and ink] | 14 |
| David Lawton | Herbs, Mama, Herbs! [poem] | 14 |
| David Lawton | Uisce [poem] | 5 |
| Gary LeBel | Bricks [prose poem] | 6 |
| Gary LeBel | Husband [poem] | 6 |
| Gary LeBel | Madrigal [poem] | 6 |
| Gary LeBel | Through a Hole in the Afternoon I Smelled Montale’s Lemons [artwork, assemblage] | 6 |
| Stellasue Lee | A Ferocity of Mind Lives Here in Silence [poem] | 6 |
| Stellasue Lee | For Birds Sing Sometimes Without Purpose [poem] | 6 |
| Stellasue Lee | Lying in a Darkened Room at Night Letting the Past Live Through Me [poem] | 12 |
| Stellasue Lee | On the Playground with Edward Hirsch [poem] | 12 |
| Kat Lehmann | April [haibun] | 3 |
| Kat Lehmann | Crossing [haibun, braided] | 11 |
| Kat Lehmann | Embodying the In-Between [haibun, braided] | 12 |
| Kat Lehmann | Energy Shift in the Storage Shed [haibun, braided] | 14 |
| Kat Lehmann | Hiraeth [haibun] | 12 |
| Kat Lehmann | Inner Rising [haibun, braided] | 14 |
| Kat Lehmann | Long Exposure [haibun] | 11 |
| Kat Lehmann | Melting Clock [haibun] | 10 |
| Kat Lehmann | Mermaids [haibun] | 12 |
| Kat Lehmann | Riding Into Shore [haibun] | 9 |
| Kat Lehmann | Sensory Revelation Tank [haibun] | 10 |
| Kat Lehmann | Setting the See-Saw [haibun, braided] | 14 |
| Kat Lehmann & Bryan Rickert | Lehmann’s Auto Enterprises [micro-poem: split sequence] | 10 |
| K. Alan Leitch | Props [flash fiction] | 4 |
| Dotty LeMieux | Holding Pattern [prose poem, ekphrastic] | 1 |
| Dotty LeMieux | I Remember: Me and Glenn [prose poem] | 12 |
| Dotty LeMieux | I Remember: The Bin Laden Girls, September, 2001 [prose poem] | 1 |
| Dotty LeMieux | Masks [prose poem] | 6 |
| Dotty LeMieux | Memorial Day [prose poem] | 8 |
| Dotty LeMieux | On the Day the Supreme Court Hears Arguments on the Case That Might Overturn Roe v. Wade [haibun] | 12 |
| Dotty LeMieux | Y2K: A Memory [prose poem] | 2 |
| Maximilian Lenz | One World (1899) [painting] | 13 |
| Joan Leotta | My Window, My Morning View [prose poem, ekphrastic] | 14 |
| Anita Lerek | Jazz Paradiso [poem, ekphrastic] | 12 |
| Anita Lerek | Return Blue [poem, ekphrastic] | 12 |
| Louella Lester | Tiny and Sharp [microfiction] | 12 |
| Michael H. Lester | Trouble in the Attic [haibun] | 11 |
| Michael H. Lester | Two senryu [micro-poems: COVID-ku] | 3 |
| Michael H. Lester | You Know, It Don’t Come Easy [tanka tale] | 11 |
| John Levy | Untitled [photograph of hummingbird] | 1 |
| John Levy | Untitled [photograph of pigeons] | 9 |
| John Levy | Untitled [photograph: B&W abstract] | 13 |
| John Levy | Untitled [photograph of women viewing Derain painting] | 15 |
| C. L. Liedekev | Hidden Canyon Trail, Zion [poem, ekphrastic] | 7 |
| C. L. Liedekev | In the Land of Wolf and Owl [poem] | 11 |
| Ellaraine Lockie | After the Rain [poem] | 7 |
| Ellaraine Lockie | Early Riser [poem, ekphrastic] | 1 |
| Ellaraine Lockie | Epistolary [poem] | 13 |
| Ellaraine Lockie | London Lodging [micro-poem] | 7 |
| Ellaraine Lockie | Picture of Passion [poem, ekphrastic] | 3 |
| Ellaraine Lockie | Poets at Any Price [poem] | 7 |
| Ellaraine Lockie | Small Town New York City [poem] | 10 |
| Ellaraine Lockie | The Hidden Life of a Hat [poem] | 11 |
| Ellaraine Lockie | The Semantics of Suicide [poem] | 13 |
| Ellaraine Lockie & Alexis Rhone Fancher | Sky Spoof [photo-poem] | 3 |
| Ellaraine Lockie & Phyllis Ross | Pollage Number 92 [haiga hybrid: collage of poem and handmade paper + watercolor and embroidery] | 1 |
| Skyler Lovelace & Robert L. Dean, Jr. | Piatt Street, 1965 [photo-poem] | 13 |
| Kurt Luchs | Acid [poem] | 12 |
| Kurt Luchs | Confessions of a Tree-Hugger [flash fiction] | 7 |
| Kurt Luchs | Homunculus [poem, ekphrastic] | 12 |
| Kurt Luchs | Lives of the Gods [prose poem] | 7 |
| Kurt Luchs | Sweet Mystery of Life [microfiction] | 12 |
| Bob Lucky | 4th Grade Poetry Lesson: Haiku [poem] | 10 |
| Bob Lucky | A Beautiful Cacophony but a Din Nonetheless [haibun] | 10 |
| Bob Lucky | A Note to Edna [haibun] | 1 |
| Bob Lucky | A Posthumous Lesson From My Mother [haibun] | 7 |
| Bob Lucky | An Epistemological Aside [haibun] | 14 |
| Bob Lucky | Are We There Yet? [haibun] | 15 |
| Bob Lucky | At the Doctor’s Office [prose poem] | 2 |
| Bob Lucky | Bar Talk [haibun] | 11 |
| Bob Lucky | Beachside Café Observations [haibun] | 9 |
| Bob Lucky | Charles D. Tarlton, Touching Fire: New and Selected Ekphrastic Prosimetra [review] | 1 |
| Bob Lucky | Conspiracy [prose poem] | 10 |
| Bob Lucky | Coping [haibun] | 11 |
| Bob Lucky | Dear AI Abby [prose poem] | 1 |
| Bob Lucky | Fame [haibun] | 15 |
| Bob Lucky | If every day’s a new day, [haibun] | 4 |
| Bob Lucky | If I Could Find the Words to Say What I Feel, I Wouldn’t Talk So Much: Notes Towards a Manifesto [prose poem] | 13 |
| Bob Lucky | In a Brown Study [haibun story] | 2 |
| Bob Lucky | Intimations [haibun] | 8 |
| Bob Lucky | Like a fly at the end of a frog’s tongue [haibun] | 5 |
| Bob Lucky | Missing [prose poem] | 15 |
| Bob Lucky | My cousin and I [haibun story] | 12 |
| Bob Lucky | One senryu [micro-poem: COVID-ku] | 3 |
| Bob Lucky | One Version of Romance Gone Awry [haibun] | 12 |
| Bob Lucky | Oneiric Event #3 [haibun] | 10 |
| Bob Lucky | Possible Answers [poem] | 11 |
| Bob Lucky | Preface to Canto IV of The Three Virgins of Rosenberg, Texas [tanka tale] | 5 |
| Bob Lucky | Pussy Cat Survives Trip Through Airport X-Ray Machine [haibun] | 3 |
| Bob Lucky | Sartorial Relapse [haibun] | 6 |
| Bob Lucky | Scribble Away [haibun sequence] | 13 |
| Bob Lucky | Shit (an adjective; a noun; a verb), a Sonnet [poem] | 4 |
| Bob Lucky | Silence [tanka prose] | 3 |
| Bob Lucky | Somewhere in Texas [haibun] | 15 |
| Bob Lucky | Strangled Dreams [prose poem: prose ghazal] | 15 |
| Bob Lucky | Swan Song [poem] | 9 |
| Bob Lucky | The Armchair Daoist Channels the Mad Farmer [micro-haibun] | 15 |
| Bob Lucky | The Armchair Daoist Gets Itchy Feet [haibun] | 14 |
| Bob Lucky | The Grammar of Boredom [haibun] | 11 |
| Bob Lucky | The History of The Shelled Pea Cookbook [haibun story] | 12 |
| Bob Lucky | The Light Becomes Us [prose poem, ekphrastic] | 13 |
| Bob Lucky | the marble statue with his marble eyes [poem] | 10 |
| Bob Lucky | The Party [haibun] | 10 |
| Bob Lucky | This Is No Joke [prose poem] | 15 |
| Bob Lucky | Vox Clamantis in Deserto [prose poem] | 7 |
| Bob Lucky | Why I Started Lifting Weights [microfiction] | 9 |
| Gavin Lucky | apologies [prose poem] | 7 |
| Gavin Lucky | notice [prose poem] | 5 |
| Gavin Lucky | plateau [prose poem] | 7 |
| Gavin Lucky | undertaking [prose poem] | 6 |
| Nancy Ludmerer | After the Play [microfiction] | 4 |
| Nancy Ludmerer | Messages From Messina [flash fiction] | 14 |
| Nancy Ludmerer | Open Wide [flash fiction] | 11 |
| Nancy Ludmerer | Quiet Enjoyment [microfiction] | 4 |
| Nancy Ludmerer | You Will Meet a Handsome Stranger [microfiction] | 4 |
| Lumitone Photography | How an Automat Works [photograph: vintage postcard, Horn & Hardart] | 1 |
| Hannah Lund | A Prayer for Abe Lincoln [CNF] | 5 |
| Lorette C. Luzajic | Billy, Don’t Lose My Number [prose poem, ekphrastic] | 5 |
| Lorette C. Luzajic | Ceviche [prose poem, ekphrastic] | 2 |
| Lorette C. Luzajic | Christmas in July [microfiction, ekphrastic] | 13 |
| Lorette C. Luzajic | Clean [flash fiction, ekphrastic] | 9 |
| Lorette C. Luzajic | Figment [prose poem, ekphrastic] | 1 |
| Lorette C. Luzajic | First Bluegrass Lesson [prose poem, ekphrastic] | 5 |
| Lorette C. Luzajic | Four Seasons, after lithographs by Alphonse Mucha [prose poem, ekphrastic] | 14 |
| Lorette C. Luzajic | Four Visual Artworks: Borderline Marilyn; Let Yourself Forget How Your Story Began; Morning Glory; and Mysteries [paintings, collage, mixed-media] | 2 |
| Lorette C. Luzajic | Gypsy Bisque [prose poem, ekphrastic] | 1 |
| Lorette C. Luzajic | Hopscotch [prose poem, ekphrastic] | 14 |
| Lorette C. Luzajic | Kenophobia [flash fiction] | 15 |
| Lorette C. Luzajic | Las Ramblas [prose poem] | 15 |
| Lorette C. Luzajic | Lucky Peace [prose poem] | 8 |
| Lorette C. Luzajic | Midnight Train [prose poem, ekphrastic] | 13 |
| Lorette C. Luzajic | Night Sax in Mexico City [prose poem, ekphrastic + painting, mixed-media] | 9 |
| Lorette C. Luzajic | Pho [prose poem] | 6 |
| Lorette C. Luzajic | Promiscuity [micro fiction, ekphrastic] | 5 |
| Lorette C. Luzajic | Swimming to Byzantium [painting] | 8 |
| Lorette C. Luzajic | The Blood Diamond [prose poem, ekphrastic] | 1 |
| Lorette C. Luzajic | The Chechia Makers [microfiction] | 6 |
| Lorette C. Luzajic | The Glass Swan [prose poem, ekphrastic] | 9 |
| Lorette C. Luzajic | The Hairdresser [flash fiction] | 15 |
| Lorette C. Luzajic | The Neon Raven [flash fiction, ekphrastic] | 5 |
| Lorette C. Luzajic | The Phantom of Flatwoods [microfiction] | 8 |
| Lorette C. Luzajic | The Poetry of Darkness [prose poem, ekphrastic] | 12 |
| Lorette C. Luzajic | The Psychic [prose poem, ekphrastic] | 13 |
| Lorette C. Luzajic | The Shawarma King [prose poem, ekphrastic] | 9 |
| Lorette C. Luzajic | The Sirens [prose poem, ekphrastic] | 2 |
| Lorette C. Luzajic | The Triaminic Man [flash fiction, ekphrastic] | 14 |
| Lorette C. Luzajic | The Unforgettable Fire [prose poem] | 12 |
| Lorette C. Luzajic | Twitter [prose poem, ekphrastic] | 8 |
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| Name of Author | Title of Work + [genre] | Issue |
| Katharyn Howd Machan | Odd Numbers [poem] | 7 |
| Patience Mackarness | Seaglass [haibun] | 10 |
| Clare MacQueen | Nine Years [taiga: tanka + photograph] | 4 |
| Clare MacQueen | “No Succinct Summary Will Do Them Justice” [review of book, A Cast-Iron Aeroplane That Can Actually Fly: Commentaries From 80 American Poets on Their Prose Poetry] | 2 |
| Clare MacQueen | Two Must-Read Books by The Queen of Ekphrasis [review/commentary] | 9 |
| René Magritte | La Grand Guerre Façades (1964) [painting] | 14 |
| Marie-Elizabeth Mali | Hum [poem] | 12 |
| Édouard Manet | Olympia [painting] | 2 |
| Robert I. Mann | Two Girls With Jobs [prose poem, ekphrastic] | 14 |
| Robert I. Mann | What is between everything [flash fiction] | 7 |
| Franz Marc | Die grossen blauen Pferde (The Large Blue Horses) [painting] | 10 |
| Jill Doster Marcusse | Cheese Sampler [prose poem] | 9 |
| Jill Doster Marcusse | No Madonna [micro-CNF] | 8 |
| Betsy Mars | Bricklayers [poem] | 14 |
| Betsy Mars | Cornered [poem] | 10 |
| Sarah Massey-Warren | Should I Stay or Should I Go? [essay] | 6 |
| Jan Matejko | Stanczyk (1862) [painting] | 14 |
| dl mattila | Angling [haibun] | 8 |
| R W Mayer | After W.C.W. [poem] | 12 |
| Joan Mazza | False Positive [poem] | 10 |
| George McDermott | Flyover [poem] | 10 |
| Kathleen McGookey | 581 Prestwick [prose poem] | 2 |
| Kathleen McGookey | Cloud Report (“4/19/22” and “5/24/22”) [prose poems] | 14 |
| Kathleen McGookey | Groupon, March 25, 2020: One Acre of Land on Mars: $35 $19 [prose poem] | 6 |
| Kathleen McGookey | Inside Out [prose poem] | 12 |
| Kathleen McGookey | Little Gold Door [prose poem] | 14 |
| Kathleen McGookey | Magnificent Error [prose poem] | 2 |
| Kathleen McGookey | The Quiet in the House [prose poem] | 6 |
| Kathleen McGookey | Where the Heart Is [prose poem] | 12 |
| Marietta McGregor | Auld lang syne [haibun] | 6 |
| Marietta McGregor | FaceTime: Session 3 [haibun] | 3 |
| Marietta McGregor | Game Over [haibun] | 12 |
| Marietta McGregor | Magus [cheribun] | 12 |
| Marietta McGregor | Star bright [tanka prose] | 14 |
| Marietta McGregor | Terror Australis [haibun] | 11 |
| Amalia Melis | January Widow [memoir] | 1 |
| Paul David Mena | [Fresh Graffiti] [micro-poem + photograph] | 4 |
| Ralph Mercer | Dialectics: Untitled 7 [photograph] | 10 |
| Todd Mercer | December D.I.Y. [micro fiction] | 12 |
| Todd Mercer | It’s Terribly Easy to Use Up This Precious Life [prose poem, hybrid] | 11 |
| Todd Mercer | Jane’s Real Haunted House [micro fiction] | 12 |
| Todd Mercer | Marco Polo [micro fiction] | 12 |
| Todd Mercer | The Key Event [micro fiction] | 12 |
| Mark Meyer | conflagration [haiga] | 10 |
| Mark Meyer | [ever older] [haiga: poem + painting] | 5 |
| Mark Meyer | five-and-dime theology [haibun] | 4 |
| Mark Meyer | [floaters] [haiga] | 10 |
| Mark Meyer | One haiku + one senryu [micro-poems: COVID-ku] | 3 |
| Mark Meyer | Seattle noir [haibun] | 10 |
| Mark Meyer | [selbstporträt—] [haiga: digital art + poem] | 2 |
| Mark Meyer | [summer swim] [haiga: poem + photograph] | 5 |
| Mark Meyer | Two Artworks: Bon Vivant and Pleiomorphic [digital pigment prints] | 2 |
| Mark Meyer | [worlds within worlds] [haiga] | 3 |
| Michelangelo | Four Prisoners at the Galleria dell’Accademia in Florence (Atlas Slave; Awakening Slave; Bearded Slave; and Young Slave) [sculpture] | 1 |
| John Everett Millais | Ophelia [painting] | 7 |
| Joseph Mills | Art Education [micro fiction] | 2 |
| Joseph Mills | Testimonial [prose poem] | 2 |
| Elaine Mintzer | It Could Be Raining [prose poem] | 10 |
| Elaine Mintzer | Ode to My Tweezers [poem] | 12 |
| Mike Moats & Gary S. Rosin |
[pack ice melts] [haiga: photograph + poem] | 11 |
| Amedeo Modigliani | Reclining Nude, Head Resting on Right Arm (aka Nude on a Sofa) [painting] | 1 |
| Penelope Moffet | Bird-Bits [poem] | 8 |
| Penelope Moffet | Shelter [poem, ekphrastic] | 8 |
| Penelope Moffet | Thumbprint [poem] | 14 |
| Bill Mohr | EROTIC: New & Selected by Alexis Rhone Fancher [book review] | 9 |
| Bill Mohr | The Timing Chains [poem] | 10 |
| Claude Monet | En promenade près d’Argenteuil [painting] | 9 |
| Diane Lee Moomey | Flashback [poem] | 9 |
| Diane Lee Moomey | Platform Heels [poem: nonce, rhyming] | 9 |
| Lisa Marguerite Mora | Heart Map [poem] | 10 |
| Marilyn Morgan | Hoboken [micro fiction] | 11 |
| Berthe Morisot | The Cradle [painting] | 2 |
| Berthe Morisot | Woman and Child on a Balcony [painting] | 5 |
| Michele Morris | Here’s to Life [prose poem, ekphrastic] | 11 |
| Michele Morris | Serenity Now [prose poem, ekphrastic] | 10 |
| Michele Morris | Still Standing [prose poem] | 12 |
| Michele Morris | The Alchemist [prose poem, ekphrastic] | 12 |
| Charlene Stegman Moskal | Curbside [prose poem] | 5 |
| Alphonse Mucha | The Seasons series, 1900: Winter, Spring, Summer, and Autumn [lithographs] | 14 |
| Rick Mulkey | Concerning Whiskey [poem] | 1 |
| Rick Mulkey | Late Summer Meditation on Van Gogh’s Wheatfield with a Reaper [poem, ekphrastic] | 15 |
| Rick Mulkey | Susan’s Creek [poem] | 15 | Rick Mulkey | Singing [poem] | 15 |
| Rick Mulkey | Waking Alone After Drinking Too Much Wine in Umbria [poem] | 1 |
| Rick Mulkey | Where are you, Walt Whitman? [poem] | 1 |
| Lynn Mundell | The Shelter [micro fiction] | 9 |
| Aurore Uwase Munyabera | Conflict Resolution [painting, alcohol ink] | 5 |
| Scott Murkin | Three Art Quilts: Crosswise II; Interstices VIII; and La Villa [textile arts] | 9 |
| Erin Murphy | Three Demi-Sonnets: Poetry 101: “Caesura”; “Haiku”; and “Slant Rhyme” [poems] | 8 |
| Erin Murphy | Three Demi-Sonnets: Taxonomies: “Churning”; “Full Disclosures”; and “Needles” [poems] | 8 |
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| Name of Author | Title of Work + [genre] | Issue | Nora Nadjarian | My Perfect Cousin [microfiction] | 15 |
| Gautam Nadkarni | Hot Couture [haibun story] | 5 |
| Nicole Nagy | Linguistic Infidelity [flash fiction] | 5 |
| Lee Nash | Polysemic crush [haibun story] | 4 |
| Paul Negri | Mysterium Magnum [flash fiction] | 3 |
| Eric Nelson | Disappearing [poem] | 10 |
| Eric Nelson | Play Ball or Sing [poem] | 10 |
| Eric Nelson | Umbrella [poem] | 10 |
| Patricia Nelson | Cyclops [poem] | 10 |
| Patricia Nelson | Arthur [poem] | 10 |
| Patricia Nelson | Morgan Remembers [poem] | 10 |
| Richard Nester | Entitled [poem, ekphrastic] | 6 |
| Richard Nester | Making Peach Cobbler [poem] | 9 |
| Robbi Nester | After Blossom [poem, ekphrastic] | 3 |
| Robbi Nester | After Kazakh Winter by Aaron Rands [poem, ekphrastic] | 6 |
| Robbi Nester | After The Large Blue Horses, Franz Marc (1911) [poem, ekphrastic] | 10 |
| Robbi Nester | Book [poem, ekphrastic] | 2 |
| Robbi Nester | Cloudfarming [poem, ekphrastic] | 12 |
| Robbi Nester | Dancing White Egret [poem, ekphrastic] | 14 |
| Robbi Nester | Dangerous Dreams [poem, ekphrastic] | 2 |
| Robbi Nester | Death Happens: Alex Atala [poem, ekphrastic] | 9 |
| Robbi Nester | Face [poem] | 12 |
| Robbi Nester | Hot [poem] | 9 |
| Robbi Nester | Inquest [poem, ekphrastic] | 11 |
| Robbi Nester | Juxtaposition [poem, ekphrastic] | 3 |
| Robbi Nester | Listen [poem, ekphrastic] | 13 |
| Robbi Nester | Naughty Bits [poem] | 11 |
| Robbi Nester | On Adaptation [poem, ekphrastic] | 5 |
| Robbi Nester | On Chaos [poem] | 6 |
| Robbi Nester | On Rembrandt’s Stone Operation [poem, ekphrastic] | 13 |
| Robbi Nester | Privilege [poem, ekphrastic] | 5 |
| Robbi Nester | Scent of Mortality [poem, ekphrastic] | 13 |
| Robbi Nester | Summer, Sheltering in Place [poem, ekphrastic] | 5 |
| Robbi Nester | The Missing Sense [poem, ekphrastic] | 13 |
| Robbi Nester | The Witness [poem, ekphrastic] | 13 |
| Robbi Nester | Van Gogh“s Ear [poem, ekphrastic] | 13 |
| Robbi Nester | Where Is Home? [poem] | 10 |
| Rachel Neve-Midbar | Younger Men [prose poem] | 14 |
| Megan Nevels | Self-Portrait as Ancestry.com [poem] | 8 |
| Peter Newton | Double Take [haibun] | 13 |
| Peter Newton | Megafauna [haibun] | 14 |
| Peter Newton | Modern Gothic [haibun story] | 14 |
| Peter Newton | Rosebud [braided haibun / haibun story] | 12 |
| Peter Newton | Suds Land USA [haibun, anomalous] | 12 |
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| Name of Author | Title of Work + [genre] | Issue |
| Katherine Durham Oldmixon & Gary S. Rosin | Hey! [haiga: poem + photograph] | 10 |
| John Olson | Black Desire [micro-essay, ekphrastic] | 7 |
| John Olson | Body and Soul [prose poem] | 7 |
| John Olson | Crocodile [essay, ekphrastic] | 2 |
| John Olson | Funny Shirts [prose poem] | 3 |
| John Olson | Hang on to Your Hat: A Diatribe for Four Voices (and the Sixth Mass Extinction) [prose poem] | 1 |
| John Olson | New Terms [prose poem] | 2 |
| John Olson | Running for Cover [prose poem] | 3 |
| John Olson | The Seeing Machine, Chapter XXXIII [novel excerpt, ekphrastic] | 3 |
| Naoki Onogawa | Untitled Sculptures [bonsai-like trees whose leaves are tiny paper cranes] | 10 |
| Jenine Oosthuizen | Quick or Ink? [flash fiction] | 4 |
| Simone Opdam & Gary S. Rosin |
Frozen [haiga: photograph + poem] | 10X |
| Simone Opdam & Gary S. Rosin |
Lente (Spring) [sha-haibun: photograph + haiku + anomalous prose poem] | 12 |
| Dion O’Reilly | In Bellingham [poem] | 11 |
| Dion O’Reilly | Maybe Stories [poem] | 11 |
| Dion O’Reilly | Red Truck [poem] | 5 |
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| Name of Author | Title of Work + [genre] | Issue |
| Lorraine A Padden & Peter Jastermsky | Opportunity [micro-poem: split sequence] | 10 |
| Lorraine A Padden & Alan Peat | Perpetual [rengay variant] | 13 |
| Lorraine A Padden & Alan Peat | White Marble [rengay variant] | 14 |
| Jacqueline Parker | Edge of the Atlantic [flash fiction] | 12 |
| Pamela Johnson Parker | It’s a Hard Art, Living [lyric memoir, ekphrastic] | 1 |
| Parmigianino | Madonna dal collo lungo (The Madonna With the Long Neck) [painting] | 10 |
| Nancy Parshall | Into the Mow [flash memoir] | 14 |
| Gay Pasley | Sister Mary Frances at NAACP Walk for Peace [photograph] | 4 |
| Lynn Pattison | Burglar [prose poem] | 3 |
| Lynn Pattison | Evening in the Diner [flash fiction] | 4 |
| Lynn Pattison | Lora has been hidden in the tree trunk [prose poem] | 1 |
| Lynn Pattison | Lora no longer sees herself [prose poem] | 1 |
| Lynn Pattison | Once in a while Lora sees the strangeness [prose poem] | 1 |
| Lynn Pattison | Lora is never alone. [prose poem] | 1 |
| Lynn Pattison | Why, [prose poem] | 4 |
| Alan Peat & Lorraine A Padden | Perpetual [rengay variant] | 13 |
| Alan Peat & Lorraine A Padden | White Marble [rengay variant] | 14 |
| Alan Peat & Gary S. Rosin |
Waymark [haiga: photograph + poem] | 11 |
| Rachael Peckham | Black Box [prose poem] | 5 |
| Rachael Peckham | Mr. Happy and the Secret Prayer Circle [flash fiction] | 5 |
| Joan Penn | Oh, My Feet. My Poor, Poor Feet [poem] | 12 |
| Joan Penn | Thou Art an Ass! [poem] | 12 |
| Barry Peters | Fidelity [flash fiction] | 4 |
| Barry Peters | The Michael Caine Dream [poem] | 4 |
| Linda Petrucelli | Blink [CNF] | 3 |
| Linda Petrucelli | Things I Wish I Had Asked the Wizard of Wazoo [CNF] | 12 |
| Rebecca Pickens | Intervention [flash fiction] | 11 |
| LeeAnn Pickrell | Ode to Coffee [poem, ekphrastic] | 4 |
| LeeAnn Pickrell | Restricted [poem] | 4 |
| LeeAnn Pickrell | Seconds [poem] | 8 |
| Stella Pierides | And yet [haibun] | 1 |
| Stella Pierides | Felting Haiga [or, Hairballs to Haiga: The Evolution of a New Hybrid Form, “Haikufelting”] [craft essay] | 1 |
| Stella Pierides | Four Felting Haiga, aka Haikufeltings: “evening hour—”; “fiery sunset—”; “soft rains on Lesbos...”; and “worn smooth” [haiga] | 1 |
| Stella Pierides | Lullaby [haibun] | 7 |
| Stella Pierides | Noir [A Triptych] [haibun story] | 2 |
| Stella Pierides | So that we remember [haibun story] | 3 |
| Meg Pokrass | Final Patient [micro fiction] | 1 |
| Meg Pokrass | Terminal [micro fiction] | 1 |
| Meg Pokrass & Jeff Friedman | Three Micro Stories: “The Grana Padano House of Wedgewood”; “The Not So Invisible Ex”; and “Mistaking One Cheese for Another” [micro fiction] | 9 |
| Keith Polette | Axis Mundi [haibun] | 12 |
| Keith Polette | Baseball [haibun] | 12 | Ken Poyner | Automaton [microfiction: drabble] | 15 | Ken Poyner | Capture [microfiction: drabble] | 15 | Ken Poyner | Puberty [microfiction: drabble] | 15 |
| Rena Priest | Live Nude Girl’s Favorite Thing to Feel [poem] | 7 |
| Maria Prymachenko | Years of My Youth, Come Visit Me [painting] | 15 |
| Howard Pyle | The Mermaid [painting] | 2 |
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